CulBeat Express
2019.04.23 02:04
영국 12개 도시서 왕실컬렉션 레오나르도 드로잉전 동시다발
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2019년 레오나르도 다 빈치의 서거 500주기를 맞아 드로잉을 144점 소장하고 있는 로열 컬렉션(Royal Collection)이 기획한 동시다발 드로잉전이 영국 내 12개 갤러리에서 열리고 있다.
'Leonardo da Vinci: A Life in Drawing'를 타이틀로 한 이 전시는 각 도시 갤러리(Belfast, Birmingham, Bristol, Cardiff, Derby, Glasgow, Leeds, Liverpool, Manchester, Sheffield, Southampton and Sunderland)에서 각각 12점의 드로잉을 소개한다.
오는 5월 24일부터는 런던 버킹햄 궁전의 퀸스 갤러리(Queen's Gallery)에서 200여점 이상의 드로잉을 전시하며, 11월엔 홀리루드하우스 궁전의 퀸스 갤러리에서 80점이 이동 전시된다.
https://www.rct.uk/collection/themes/exhibitions/leonardo-da-vinci-a-life-in-drawing-0
LEONARDO DA VINCI: A LIFE IN DRAWING
The Royal Collection, London
LEONARDO DA VINCI (VINCI 1452-AMBOISE 1519), The head of Leda c.1504-6, Pen and ink over black chalk | 17.7 x 14.7 cm
144 of Leonardo da Vinci’s greatest drawings in the Royal Collection are displayed in 12 simultaneous exhibitions across the UK to mark the 500th anniversary of his death.
Leonardo da Vinci: A Life in Drawing features 12 drawings at each venue, all selected to reflect the full range of Leonardo's interests – painting, sculpture, architecture, music, anatomy, engineering, cartography, geology and botany.
In May over 200 drawings will go on display at The Queen's Gallery, Buckingham Palace, and then the exhibition will move to The Queen's Gallery, Palace of Holyroodhouse in November.
LEONARDO DA VINCI (VINCI 1452-AMBOISE 1519), Cats, lions, and a dragon c.1513-18, Pen and ink with wash over black chalk | 27.0 x 21.0 cm
THE DRAWINGS
At his death in 1519, Leonardo bequeathed his drawings and notebooks to his pupil Francesco Melzi, who arranged the drawings by subject matter and annotated them with numbers, as seen on several of the sheets here.
Around 1580, the sculptor Pompeo Leoni acquired Leonardo’s drawings from Melzi’s son, and mounted them on the pages of at least two large albums. One of those albums was in England by 1630, in the collection of the Earl of Arundel. Within fifty years the album had been acquired by King Charles II, possibly as a gift from Arundel’s grandson.
The drawings were removed from the album during the reign of Queen Victoria and mounted individually, and in the early twentieth century many were stamped in the corner with the cipher of Edward VII. The empty binding of Pompeo Leoni’s album was preserved as a relic of the master – the repository for three centuries of much of what we know today about Leonardo.
The works are here grouped thematically, with sections on Leonardo’s map-making, landscapes, botany, anatomy, water studies and so on.
