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CulBeat Express
2019.05.12 22:37

2019 베니스 비엔날레 수상자

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제 58회 베니스비엔날레에서 국가관 황금사자상은 리투아니아, 본전시 황금사자상은 미국 작가 자파 아서가 수상했다. 

2019 베니스 비엔날레(5/11-11/24)에는 90개국이 참가했으며, 한국에선 이불, 강서경, 아니카 이가 초대됐다. 심사에는 김선정 광주비엔날레 디렉터가 참가했다. 다음은 수상자 리스트. 


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OFFICIAL AWARDS


The Jury of the 58th International Art Exhibition of La Biennale di Venezia, comprising Stephanie Rosenthal (President of the Jury, Germany), Defne Ayas (Turkey/Netherlands), Cristiana Collu (Italy), Sunjung Kim/김선정 (Korea), and Hamza Walker (USA), has decided to present the following awards:

 

Golden Lion for Best National Participation:

LITHUANIA
Sun & Sea (Marina)
Lina Lapelyte, Vaiva Grainyte and Rugile Barzdziukaite

Commissioner: Rasa Antanavičıūte. Curator: Lucia Pietroiusti.
Venue: Magazzino No. 42, Marina Militare, Arsenale di Venezia, Fondamenta Case Nuove 2738c

 

A special mention has been awarded to the following National Participation:

BELGIUM
Mondo Cane
Jos de Gruyter & Harald Thys

Commissioner: Fédération Wallonie-Bruxelles.
Curator: Anne-Claire Schmitz.
Venue: Giardini

 

Golden Lion for the Best Participant in the International Exhibition May You Live In Interesting Times to:

Arthur Jafa
(b. 1960 USA, lives and works in Los Angeles)

 

Silver Lion for a Promising Young Participant in the International Exhibition May You Live In Interesting Times to:

Haris Epaminonda
(b. 1980 Republic of Cyprus, lives and works in Berlin)

 

The Jury has decided to award two special mentions to the following participants:

Teresa Margolles
(b. 1963 Mexico, lives and works in Mexico City and Madrid)

Otobong Nkanga
(b. 1974 Nigeria, lives and works in Antwerp)

 

The Awards Ceremony of the 58th International Art Exhibition took place today, 11th May 2019, at Ca’ Giustinian, Venice. Upon recommendation of the Curator of the 58th Exhibition Ralph Rugoff, the board of La Biennale di Venezia, chaired by Paolo Baratta, also awarded the Golden Lion for Lifetime Achievement to Jimmie Durham (USA).


THE MOTIVATIONS


The awards of the International Jury have been presented with the following motivations:

 

Golden Lion for Best National Participation to Lithuania for the experimental spirit of the Pavilion and its unexpected treatment of national representation. The jury was impressed with the inventive use of the venue to present a Brechtian opera as well as the Pavilion’s engagement with the city of Venice and its inhabitants. Sun & Sea (Marina) is a critique of leisure and of our times as sung by a cast of performers and volunteers portraying everyday people.

Special mention as National Participation to Belgium. Unsparing in its humour, the Belgian Pavilion offered an alternative view of the under-recognised aspects of social relations across Europe. The uncanny staging of a series of fictional characters in the form of mechanised puppets based on folkloric stereotypes allow the Pavilion to act on several registers, while creating two if not more parallel realities.

Golden Lion for the Best Participant in the International Exhibition May You Live In Interesting Times toArthur Jafa for his 2019 film The White Album (venue: Central Pavilion, Giardini), which, in equal measure, is an essay, a poem and portraiture. Jafa uses appropriated and original footage to reflect upon the issue of race. Just as the film critiques a moment fraught with violence, in tenderly portraying the artist’s friends and family, it also speaks to our capacity for love.

Silver Lion for a Promising Young Participant in the International Exhibition May You Live In Interesting Times to Haris Epaminonda for her carefully constructed constellations of images, objects, text, forms, and colours that are built out of fragmented memories, histories and imagined connections; for showing us that the personal and the historical can be compressed into a powerful yet loose web of multiple meanings.

 

This year, two Special Mentions were awarded to the following participants:

Teresa Margolles for her sharp and poignant works that deal with the plight of women grossly affected by the narcotics trade in her native Mexico, and for creating powerful testimonies by shifting existing structures from the real world into the Exhibition halls.

Otobong Nkanga for her ongoing and inspired exploration across media into the politics of land, body and time.