줄리아드, 이영자 교수 등 여성 작곡가 32인 헌사 무료 콘서트(1/24-31)
Focus 2020 Presents
Trailblazers: Pioneering Women Composers of the 20th Century
Co-Curated by Odaline de la Martinez and Joel Sachs
Friday, January 24, Through Friday, January 31, 2020
Six Free Concerts Featuring 32 Composers Born in 15 Countries on Five Continents
Marking the Centenary of Women’s Suffrage in the United States
이영자 교수(왼쪽), 한준영씨(사진: 김문정)
줄리아드 음대가 2020년 미 여성 참정권 100주년을 맞아 1월 24일부터 31일까지 세계의 여성 작곡가 선구자 32인을 소개하는 콘서트 시리즈 'Trailblazers: Pioneering Women Composers of the 20th Century'에서 한국의 첫 해외 유학파 여성 작곡가 이영자씨(하피스트 한준영씨 모친) 등 세계 15개국 출신 작곡가들의 곡을 연주한다.
1931년 원주에서 태어난 이영자씨는 이화여대 음대와 대학원을 거쳐 파리 국립고등음악원, 브뤼셀 왕립음악원, 맨해튼 음대에서 수학했다. 소르본대학에서 음악학으로 박사학위를 받은 후 1961년부터 이화여대 교수를 지냈다. 1981년 한국여성작곡가협회를 창립해 회장을 역임했다. 그는 한국 전통음악에 프랑스, 서부아프리카, 인도네시아 가말란 등 글로벌 음악을 블렌딩해 작곡해왔다. 프랑스 대사를 지낸 남편 한우석씨와 사이에 피아니스트 한난이씨와 하피스트 한준영(June Han) 예일대 교수를 두었다.
Juilliard announces the 36th annual Focus festival, Trailblazers: Pioneering Women Composers of the 20th Century, co-curated by Odaline de la Martinez, a Cuban-American conductor and composer based in London, and Focus director and conductor Joel Sachs, taking place from Friday, January 24, through Friday, January 31, 2020. Juilliard’s Focus festival each year offers a survey of a topic in contemporary music. This year’s festival marks the centenary of women’s suffrage in the United States, with the 19th amendment first giving women the vote in 1920. Director Joel Sachs writes that the festival “celebrates a group of women, most of whom came of age in the early 20th century, filled with determination to establish themselves as professional composers. Their struggle was admirable, setting the stage for subsequent generations of women composers, whose numbers and acceptance have grown enormously.”
Co-curator Odaline de la Martinez said, “It’s so important that this festival is happening. We’re making a point?for the students and for the public?about standing up for women composers and recognizing women who fought hard for what we have today.”
The six concerts include the music of 32 composers, born in 15 countries on five continents, including five who are still composing?Jacqueline Fontyn (Belgium, b. 1930), Betsy Jolas (France, b. 1926), Sofia Gubaidulina (USSR/Germany, b. 1931), Young-Ja Lee (Korea, b. 1931), and Thea Musgrave (Scotland/U.S., b. 1928).
The festival will explore the work of several American composers, among them, Ruth Crawford Seeger (1901-1953). Seeger, who was well-known for her interest in American folk music, was also a modernist. Germaine Tailleferre (1892-1983), the only woman who was a member of Les Six, will be represented by her Sonata for Harp on January 29. Chinese composer Liu Zhuang’s (1932-2011) Wind Through Pine, for flute, prepared piano, and cello, will be performed on January 27, along with String Quartet No. 3 by Elizabeth Maconchy (1907-94), another prominent composer whose work is not often performed. American composer Margaret Bonds (1913-72) studied with Roy Harris, who was on the Juilliard faculty, and she also was enrolled in Juilliard’s Extension Division, where she studied with Robert Starer (faculty 1949-1970). Some of Bonds’ manuscripts are housed in Juilliard’s manuscript collection. Bonds, whose Dream Portraits will be performed on January 30, studied with Florence Price (1887-1953), the first African American woman to have a symphony performed by a major U.S. orchestra, the Chicago Symphony. Price’s Piano Sonata will be performed on January 28. Composer Lili Boulanger’s (1893-1918) Nocturne and Cortege for violin and piano and D'un Matin de printemps will be performed on January 30, and South African composer Priaulx Rainier (1903-86) who studied with Lili’s sister, Nadia Boulanger, will have two pieces performed during the chamber music week: Ubunzima and Dance of the Rain on January 28. Korean composer Young-ja Lee’s (b. 1931) daughter, June Han (DMA ’04, harp), will be a panelist on the January 28 pre-concert discussion, along with Odaline de la Martinez, Thea Musgrave, and Joel Sachs. Young-ja Lee’s Le Pelerinage de l’Ame will be featured on the concert that follows that evening.
All concerts are free, and tickets are available at juilliard.edu/calendar.
The festival opens on Friday, January 24, 2020, at 7:30pm in Juilliard’s Peter Jay Sharp Theater with the New Juilliard Ensemble (N.J.E.), led by Joel Sachs. The ensemble will play Meandres (2009-10, U.S. premiere) by Jacqueline Fontyn (Belgium, b. 1930); Girasol (1995) by Ursula Mamlok (Germany/U.S., 1923-2016); Three Songs (1930-32) by Ruth Crawford Seeger (U.S., 1901-53) with soprano Britt Hewitt; Six Tempi for Ten Instruments, Op. 42 (1957) by Elisabeth Lutyens (U.K., 1906-83); and Octet (1949-50) by Galina Ustvolskaya (USSR/Russia, 1919-2006).
Chamber music concerts take place Monday, January 27 through Thursday, January 30, in Juilliard’s Peter Jay Sharp Theater. A pre-concert panel discussion with composition alumna June Han, co-curator Odaline de la Martinez, composer Thea Musgrave, and Joel Sachs will take place on Tuesday, January 28, at 6:30pm in Juilliard’s Peter Jay Sharp Theater. The concert that evening features the music of three U.S. composers: Mary Lou Williams, Vivian Fine, and Florence Price.
The Juilliard Orchestra performs the closing-night concert on Friday, January 31, 2020, at 7:30pm in Alice Tully Hall. The concert will be led by conductor David Robertson, director of Juilliard’s conducting studies and distinguished visiting faculty, along with student conductors Kyle Ritenauer, Sasha Scolnik-Brower, and Molly Turner. Anne Manson, who was originally scheduled to conduct this concert had to withdraw due to a minor health issue. The program features A Little Summer Suite (2015) by Betsy Jolas (France, b. 1926); Cello Concerto No. 2 with Juilliard cellist Samuel DeCaprio by Gra?yna Bacewicz (Poland, 1909-69); “On the Cliffs of Cornwall” (prelude to Act II of The Wreckers) (1904) by Ethel Smyth (U.K., 1858-1944); Rainbow (1990) by Thea Musgrave (Scotland/U.S., b. 1928); and The Rider on the White Horse (2002) by Sofia Guibaidulina (USSR/Germany, b. 1931) with Juilliard organist Raphael Vogl. David Robertson appears courtesy of the Metropolitan Opera, where he is conducting Porgy and Bess.
About the New Juilliard Ensemble
The New Juilliard Ensemble, led by founding director Joel Sachs and in its 27th season, presents music by a variety of international composers who write in diverse styles. The ensemble appears regularly at the Museum of Modern Art’s (MoMA) Summergarden series, has been featured four times at the Lincoln Center Festival, and has premiered some 100 compositions. The season’s concluding NJE concert on April 13, in Alice Tully Hall, will have five world premieres of music composed for NJE by Juilliard composition students Evan Anderson and Marc Migo Cortes, Chinese composers Ye Xiaogang and Yao Chen, and Mexican/German composer-singer Diana Syrse, who will be the soloist for her piece.
Concerts in the 2018-19 season featured works by Josefino Chino Toledo, Sunbin Kevin Kim, Virko Baley, Akira Nishimura, Ursula Mamlok, Robert Sierra, Betty Olivero, Gyorgy Ligeti, Michael Tippett, Sato Matsui, Ross Griffey, Jukka Tiensuu, and Zygmunt Krauze.
The New Juilliard Ensemble performs the opening concert of Juilliard’s annual Focus festival; recent editions have included: On the Air!: A Salute to 75 Years of International Radio Commissioning (2019), China Today: A Festival of Chinese Composition (2018); Our Southern Neighbors: The Music of Latin America (2017); Milton Babbitt’s World: A Centennial Celebration (2016); and Nippon Gendai Ongaku: Japanese Music Since 1945 (2015).
In 2014, the New Juilliard Ensemble collaborated with Carnegie Hall on UBUNTU: Music and Arts of South Africa. A highlight of the 2013-14 season was a collaboration with the Royal Philharmonic Society’s bicentennial celebration with the U.S. premieres of works by Magnus Lindberg and Judith Weir. In 2012, NJE collaborated with Carnegie Hall on Voices From Latin America; in 2011, with Carnegie Hall’s Japan/NYC festival; and in 2009, with Carnegie Hall’s Ancient Paths, Modern Voices festival.
About Joel Sachs
Joel Sachs, founding director and conductor of the New Juilliard Ensemble, performs a vast range of traditional and contemporary music as a conductor and pianist. As co-director of the internationally acclaimed new music ensemble Continuum, he has appeared in hundreds of performances in New York, nationally, and throughout Europe, Asia, and Latin America. He has also conducted orchestras and ensembles in Austria, Brazil, Canada, China, El Salvador, Germany, Hungary, Iceland, Mexico, Switzerland, and Ukraine, has held new music residencies in Berlin, Shanghai, London, Salzburg, Curitiba (Brazil), Newcastle Upon Tyne (U.K.), Helsinki, and the Banff Centre (Canada), and has given recitals of post-traditional piano music worldwide.
One of the most active presenters of new music in New York, Sachs founded the New Juilliard Ensemble in 1993. He produces and directs Juilliard’s annual Focus festival, and he has been the artistic director of Juilliard’s Summergarden concerts at MoMA since 1993.
A member of Juilliard's music history faculty, Sachs wrote the first full biography of the American composer Henry Cowell, which was published by Oxford University Press in 2012. Sachs often appears on radio as a commentator on recent music and has been a regular delegate to Netherlands Music Days and other international music conferences.
A graduate of Harvard, Sachs received his PhD from Columbia University. In 2011, he was made an honorary member of Phi Beta Kappa at Harvard University for his work in support of new music, and received the National Gloria Artis Medal of the Polish Government for his service to Polish music. In 2002, he received Columbia University’s Alice M. Ditson Conductors Award.
About Odaline de la Martinez
Cuban-American composer and conductor Odaline de la Martinez pursues a busy career composing (particularly opera), conducting repertoire spanning from Mozart symphonies to the latest music, and recording. As a child, her parents sent her and her sister to the U.S. to live with family in Tucson, Arizona, following the Bay of Pigs invasion. Their parents arrived several years later, and the family relocated to New Orleans. Upon graduation from Tulane University, Martinez was awarded several scholarships that took her to the U.K. for further work at the Royal Academy of Music (RAM) and University of Surrey. In 1976, while studying at RAM, she cofounded the ensemble Lontano and began recording for the BBC and touring. As her career flourished, she remained in London. At 34, Martinez was the first woman to conduct a BBC Proms Concert at Royal Albert Hall.
Numerous awards include a Marshall Scholarship from the British government, Guggenheim Fellowship, and Villa Lobos Medal from the Brazilian government. In 2017 she received a lifetime achievement award and, in 2019, an honorary doctorate from the University of Surrey and a gold badge from the Ivors Academy of Composers and Song Writers. Her operatic trilogy Imoinda?A Story of Love and Slavery received its world premiere in 2019 at the seventh London Festival of American Music. Martinez is in demand throughout the world as an orchestra and opera conductor. She has recorded more than 40 CDs for the record label Lorelt, which she founded in 1992, and for Summit, BMI, and Albany Records in the U.S., Chandos, Metier, Retrospect, and Conifer Classics in the U.K., and DaCapo in Denmark. As a musician she has earned a reputation for her versatile and eclectic vision as well as her ability to work with others to make that vision a reality.
About David Robertson
David Robertson is a highly sought-after podium figure in the worlds of opera, orchestral music, and new music. Building upon his association with the Metropolitan Opera, Robertson conducts the Met’s 2019-20 production of The Gershwins’ Porgy and Bess, directed by James Robinson, and featuring Eric Owens and Angel Blue. Robertson returned to the Sydney Symphony Orchestra to complete his 2019 valedictory season as chief conductor and artistic director, and he will continue to conduct the Sydney Symphony Orchestra in future seasons as the city undertakes a major renovation of its Sydney Opera House. He also recently completed a 13-year tenure as music director of the St. Louis Symphony Orchestra.
Robertson has served as artistic leader to many musical institutions, including the Orchestre National de Lyon, and?as a protege of Pierre Boulez?Ensemble Intercontemporain. With frequent projects at the world’s leading opera houses, including the Met Opera, La Scala, Theatre du Chatelet, and San Francisco Opera, he is also a frequent guest with the leading orchestras of the world: New York, Los Angeles, Boston, Chicago, Philadelphia, Cleveland, Amsterdam, Berlin, Beijing, and the BBC Symphony Orchestra, where he served as principal guest conductor.
In fall 2019, David Robertson joined the newly formed Tianjin Juilliard Advisory Council, an international body created to guide the Chinese campus of Juilliard, complementing his role as director of conducting studies, distinguished visiting faculty. In the 2019-20 season, Robertson continues his collaboration with composer John Adams, conducting performances of his opera-oratorio El Nino with the Houston Symphony. He returns to the Staatskapelle Dreden and Czech Philharmonic, and conducts the Netherlands Radio Philharmonic Orchestra, the New Japan Philharmonic, and, in New York, the Juilliard Orchestra at Carnegie Hall (Feb. 25). Robertson has received numerous awards and in 2011 was named a Chevalier de l’Ordre des Arts et des Lettres by the government of France.
# # #
Focus Festival 2020
Trailblazers: Pioneering Women Composers of the 20th Century
Joel Sachs, Director
Odaline de la Martinez and Joel Sachs, Co-Curators
Program I
Friday, January 24, 2020, 7:30pm, Peter Jay Sharp Theater
New Juilliard Ensemble
Joel Sachs, Director and Conductor
Britt Hewitt, Soprano
Jaqueline Fontyn (Belgium, b. 1930) Meandres (2009-10, U.S. premiere)
Ursula Mamlok (Germany/US, 1923-2016) Girasol (1995)
Ruth Crawford Seeger (U.S., 1901-53) Three Songs (1930-32)
Elisabeth Lutyens (U.K., 1906-83) Six Tempi for Ten Instruments, Op. 42 (1957)
Galina Ustvolskaya (USSR/Russia, 1919-2006) Octet (1949-50)
Program II
Monday, January 27, 2020, 7:30pm, Perter Jay Sharp Theater
Rebecca Clarke (U.K./U.S., 1886-1979) Dumka (estimated 1941)
Ruth Schonthal (Germany/U.S., 1924-2006) Love Letters (1979)
Verdina Shlonsky (Ukraine/Germany/Israel, 1905-90) Dapim me’ha’yoman (Pages From the Diary) (1949)
Barbara Pentland (Canada, 1912-2000) Variations for Viola (1965)
Liu Zhuang (China, 1932-2011) Wind Through Pines (1999)
Elizabeth Maconchy (U.K., 1907-94) String Quartet No. 3 (1938, U.S. premiere)
Program III
Tuesday, January 28, 2020, Peter Jay Sharp Theater
6:30pm Panel Discussion
With June Han, Odaline de la Martinez, Thea Musgrave, and Joel Sachs
7:30pm Concert, Peter Jay Sharp Theater
Vivian Fine (U.S., 1913-2000) Emily’s Images (1987)
Florence Price (U.S., 1887-1953) Piano Sonata (1932)
Young-ja Lee (b. Korea, b. 1931) Le Pelerinage de l’Ame (2003, U.S. premiere)
Priaulx Rainier (South Africa/U.K./France, 1903-86) Ubunzima (1948), Dance of the Rain (1947)
Mary Lou Williams (U.S., 1910-81) Three piano solos
Program IV
Wednesday, January 29, 2020, 7:30pm, Peter Jay Sharp Theater
Miriam Gideon (US, 1906-96) Suite (1972)
Vit?zslava Kapralova (Moravia/Franc, 1915-40) April Preludes (1937)
Germaine Tailleferre(France, 1892-1983) Sonata for Harp (1957)
Ruth Crawford Seeger (U.S., 1901-53) String Quartet 1931
Margaret Sutherland (Australia, 1897-1984) Six Songs, Settings of Poems by Judith Wright (1950/62)
Grete von Zieritz (Austria/Germany, 1899-2001) Piano Sonata
Program V
Thursday, January 30, 2020, 7:30pm, Peter Jay Sharp Theater
Lili Boulanger (France, 1893-1918) Nocturne, Cortege (1914), D'un Matin de Printemps (1917)
Peggy Glanville-Hicks (Australia, 1912-90) Sonata for Harp (1950)
Johanna Magdalena Beyer (Germany/U.S., 1888-1944) From Dissonant Counterpoint (1930)
Louise Talma (France/U.S., 1906-76) Alleluia in Form of Toccata (1945)
Margaret Bonds (U.S., 1913-72) Dream Portraits (1959)
Myriam Marbe (Romania, 1931-97) Des-cantec (1986)
Amy Beach (U.S., 1867-1944) Piano Trio, Op. 50 (1938)
Ruth Zechlin (Germany, 1926-2007) Wider den Schlaf der Vernunft (Against the Sleep of Reason) (1989)
Program VI
Friday, January 31, 2020, 7:30pm, Alice Tully Hall
Closing Concert of the Focus Festival
Juilliard Orchestra
David Robertson, Conductor
Kyle Ritenauer, Conductor
Sasha Scolnik-Brower, Conductor
Molly Turner, Conductor
Samuel DeCaprio, Cello
Raphael Vogl, Organ
Betsy Jolas (France, b. 1926) A Little Summer Suite (2015, New York premiere)
Gra?yna Bacewicz (Poland, 1909-69) Cello Concerto No. 2 (1963, U.S. premiere)
Ethel Smyth (U.K., 1858-1944) “On the Cliffs of Cornwall” (prelude to Act II of The Wreckers) (1904)
Thea Musgrave (Scotland/U.S., b. 1928) Rainbow (1990)
Sofia Gubaidulina (USSR/Germany, b. 1931) The Rider on the White Horse (2002, New York premiere)
All concerts are free, and tickets are available at juilliard.edu/calendar.
Young-ja Lee: Le Pélerinage de l’Âme (The Pilgrimage of the Soul) (2003)
Born in 1931 in Wonju, Korea, Young-ja Lee became one of the most prominent Korean composers of her generation. Her first teacher was La Un-Yong at Ewha Women’s University in Seoul, where she earned her BA and MA degrees. She then attended the Paris Conservatoire (1958-61), studying with Tony Aubin and Noël Gallon; Royal Conservatory in Brussels (1969-72, with Marcel Quinet); Manhattan School of Music (1969); and the Sorbonne, earning a DEA (advanced diploma) in 1989. Other teachers included Woon Young-Na, Ton de Leeuw, and Olivier Messaien. At the Sorbonne, she wrote a thesis on Olivier Messiaen’s orchestral works; later she produced two books on counterpoint.
Lee served as professor and head of the composition department at Ewha Women’s University from 1961 to 1983 and has lectured at Seoul National University and elsewhere in Korea and at the Sorbonne. In 1981, she cofounded an association for Korean women composers, serving as its first president for 13 years. Other prestigious positions include chairman of the Korean National Committee for the Asian Composer’s League, vice president of the Korean Composers’ Association, and vice chairman of the board of directors of the Korean Music Association. She is a member of the National Academy of Arts in Korea. Her many awards include first prize at the Korean National Music Competition in Composition (1956); the Korean national composers’ award (1986); grand prize at the Korean Composition Awards (1996, 2000, 2008); Korean musician award (1994); presidential Award (1995); and 3.1 cultural award (2009). In 2012, she received Korea’s National Silver Crown Medal. Lee’s compositions are self-published.
Lee has composed for orchestra, chamber ensembles, various soloists, and voice (largely songs with piano). Although her music has been performed in Asia, Australasia, and Europe, it has not had much exposure in the U.S. Her piano trio Le Pélerinage de l’Âme is in one continuous movement with seven contrasting sections played without pause.
Note by Odaline de la Martinez
