THE 59th NEW YORK FILM FESTIVAL POSTER

DESIGNED BY KARA WALKER

 

역대 뉴욕영화제 포스터 디자이너: 앤디 워홀, 데이빗 호크니, 마틴 스콜세지, 페드로 알모도바르...

 

 

#BlackLivesMatter 이후 흑인 예술가들이 전성기를 누리고 있다. 2021 칸영화제 심사위원은 스파이크 리(Spike Lee) 감독이었고, 그는 링컨센터 필름소사이어티의 채플린상을 수상했다. 

 

제 59회 뉴욕영화제의 포스터는 카라 워커(Kara Walker)가 디자인했다. 1963년 시작된 뉴욕영화제의 포스터는 앤디 워홀, 로이 리히텐스타인, 마리솔, 프랭크 스텔라, 조셉 알버스, 짐 다인, 데이빗 호크니, 로버트 라우센버그, 미켈란젤로 피스톨레토, 솔 르위트, 리처드 세라 등 작가, 디안 아버스 신디 셔만, 리처드 아베돈 등 사진작가, 아그네스 b.(패션디자이너), 사울 바스(영화 타이틀 전문 디자이너), 그리고 존 워터스, 마틴 스콜세지와 페드로 알모도바르 감독도 디자인한 바 있다.

 

카라 워커(Kara Elizabeth Walker)는 1969년 캘리포니아주 스탁턴에서 태어나 아틀란타로 이주해서 성장했다. 교수이자 화가였던 아버지를 따라 아티스트가 되기로 결심, 아틀란타 미술대 졸업 후 로드아일랜드디자인스쿨(RISD)에서 석사학위를 받았다. 

 

빅토리안풍의 검은색종이 실루엣(그림자) 작품으로 인종, 성, 폭력, 정체성에 질문을 던진다. 28세에 '천재상'으로 불리우는 맥아더 펠로우에 선정됐으며, 2002년 사웅파울로 비엔날레 미국관 대표로 전시했다. 2007년 주간 타임지에 의해 세계에서 가장 영향력있는 인물 100인에 선정됐다. 1996년 독일계 쥬얼리 디자이너 겸 교수 클라우스 부르겔과 결혼, 2010년 이혼했다. 브루클린 포트그린에 살며 컬럼비아대학교 교수로 재직 중이다. 

 

*카라 워커의 첫 뉴욕

 http://www.nyculturebeat.com/?document_srl=3727039

 

 

역대 뉴욕영화제 포스터 디자이너

The complete list of NYFF poster artists

Larry Rivers, 1963

 

Saul Bass, 1964

Bruce Conner, 1965

 

Roy Lichtenstein, 1966

 

 

Andy Warhol, 1967

Henry Pearson, 1968

Marisol (Escobar), 1969

James Rosenquist, 1970

Frank Stella, 1971

Josef Albers, 1972

Niki de Saint Phalle, 1973

Jean Tinguely, 1974

Carol Summers, 1975

Allan D’Arcangelo, 1976

Jim Dine, 1977

Richard Avedon, 1978

Michelangelo Pistoletto, 1979

Les Levine, 1980

 

David Hockney, 1981

Robert Rauschenberg, 1982

Jack Youngerman, 1983

Robert Breer, 1984

Tom Wesselmann, 1985

Elinor Bunin, 1986

 

Sol Lewitt, 1987

Milton Glaser, 1988

Jennifer Bartlett, 1989

Eric Fischl, 1990

Philip Pearlstein, 1991

William Wegman, 1992

Sheila Metzner, 1993

William Copley, 1994

Diane Arbus, 1995

Juan Gatti, 1996

Larry Rivers, 1997

 

 

Martin Scorsese, 1998

Ivan Chermayeff, 1999

 

 

Tamar Hirschl, 2000

Manny Farber, 2001

Julian Schnabel, 2002

Junichi Taki, 2003

Jeff Bridges, 2004

 

 

Maurice Pialat, 2005

Mary Ellen Mark, 2006

 

 

agnès b., 2007 

Robert Cottingham, 2008

Gregory Crewdson, 2009

John Baldessari, 2010

Lorna Simpson, 2011

 

Cindy Sherman, 2012

Tacita Dean, 2013 

Laurie Simmons, 2014

 

 

Laurie Anderson, 2015

Apichatpong Weerasethakul, 2016

 

Richard Serra, 2017

Ed Lachman & JR, 2018

Pedro Almodóvar, 2019

 

John Waters, 2020

 

 

FILM AT LINCOLN CENTER UNVEILS THE 59th NEW YORK FILM FESTIVAL POSTER,

DESIGNED BY KARA WALKER

 

NEW YORK, NY (Sep 8, 2021) – Film at Lincoln Center announces Kara Walker as the artist behind the design for the official poster of the 59th New York Film Festival (September 24 – October 10). She joins a lineup of renowned artists who have contributed their work to the festival, including Andy Warhol, Roy Lichtenstein, David Hockney, Julian Schnabel, Cindy Sherman, John Waters, and Laurie Simmons. A yearly artistic signature for NYFFF, these posters have taken on an overarching cultural significance through the years, reflecting the themes explored in each edition’s film selections. Known for her candid investigation of race, gender, sexuality, and history, Walker’s distinctive silhouettes have been exhibited around the world.

 

Walker says of her design: “I photographed the two cut paper figures silhouetted against the white backdrop of a shadow puppet screen in a number of cryptic scenarios. The initial result had the tonal quality of a grainy black-and-white film clip, but I was annoyed that there was no actual story. In post production—meaning, while fiddling with Photoshop—I cropped another of the characters from the shoot: the figure of a raging, menacing jackbooted man with a little red tissue paper around him. As I moved that crop around, it fit neatly into an outstretched hand like the cellphone that was missing all along. Suddenly, it is two women watching a man behave in some kind of way, as if fictional character Topsy foiled evil plantation master Simon Legree by filming him and then sharing it. The many events we are witness to, both absurd and horrifying, grand and quotidian, that are shared on small screens, resonated as a counterpoint to the legacy of cinema and the history of the New York Film Festival. What to make of the amateur filmmakers equipped with just cell phones and a critical eye?”

 

The limited edition poster will be available for purchase during the New York Film Festival (September 24 – October 10) via Posteritati. Additionally, a limited number of posters will be available for purchase at Film at Lincoln Center’s merchandise store located in the Alice Tully Theater. Posters are $150; Film at Lincoln Center members will receive a special discount for purchase.

 

Born in Stockton, California in 1969, Kara Walker was raised in Atlanta, Georgia from the age of 13. She studied at the Atlanta College of Art (BFA, 1991) and the Rhode Island School of Design (MFA, 1994). She is the recipient of many awards, notably the John D. and Catherine T. MacArthur Foundation Achievement Award in 1997 and the United States Artists, Eileen Harris Norton Fellowship in 2008. Walker is a member of the American Academy of Arts and Letters (elected 2012), the American Philosophical Society (elected 2018), and was named an Honorary Royal Academician by the Royal Academy of Arts, London in 2019. She lives and works in New York.

 

Walker’s work has been acquired by prominent museums and public collections throughout the United States and Europe, including the Kunstmuseum Basel’s Kupferstichkabinett (Department of Prints and Drawings); the Solomon R. Guggenheim Museum, New York; the Museum of Modern Art, New York; the Metropolitan Museum of Art, New York; the Tate Gallery, London; the National Museum of 21st-Century Arts (MAXXI), Rome; and the Deutsche Bank Collection, Frankfurt.

 

Walker was selected by the Tate Modern for the 2019 Hyundai Commission. She responded with a large-scale public sculpture in the form of a four-tiered fountain entitled “Fons Americanus,” a subversive “counter-memorial” to the Victoria Memorial at Buckingham Palace. A solo exhibition of her works on paper, entitled “Kara Walker: A Black Hole is Everything a Star Longs to Be,” is currently on view at Kunstmuseum Basel through September 26, 2021; it will travel to Schirn Kunsthalle Frankfurt, Germany, and the De Pont Museum of Contemporary Art in Tilburg, the Netherlands.

 

In spring 2014, Walker’s first large-scale public project, a monumental installation entitled “A Subtlety, or the Marvelous Sugar Baby, an Homage to the unpaid and overworked Artisans who have refined our Sweet tastes from the cane fields to the Kitchens of the New World on the Occasion of the demolition of the Domino Sugar Refining Plant,” was on view at the abandoned Domino Sugar Refinery in Williamsburg, Brooklyn. Commissioned and presented by Creative Time, the project—a massive sugar-covered sphinxlike sculpture—responded to and reflected on the troubled history of sugar. 

 

 

*영향력 있는 생존 흑인 미술가 22인

*2022 베니스 비엔날레 미국관 대표작가 선정된 시몬 리(Simone Leigh)

*2018 휴고보스상 수상 시몬 리 구겐하임 뮤지엄 전시, 2019

 

*휘트니뮤지엄의 흑인 거장들 <1> 잭슨 폴락 옆 에드 클락(Ed Clark) 

*휘트니뮤지엄의 흑인 거장들 <2> 프란츠 클라인 옆 노만 루이스(Norman Lewis) 

*휘트니뮤지엄의 흑인 거장들 <3> 혼자만의 방 제이콥 로렌스(Jacob Lawrence)

*2019 휘트니 비엔날레 흑인작가들