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다운타운 뉴뮤지엄(New Museum)에서 오는 6월 29일부터 9월 17일까지 이미래(Mire Lee, 1988- ) 작가의 개인전이 열린다. 이미래 작가는 서울대 조각과와 동 대학원 미디어학과를 졸업한 후 서울과 암스테르담을 오가며 활동하고 있다. 제 59회 베니스비엔날레, 제58회 카네기인터내셔널, 2022 부산 비엔날레 등에 참가했다. 

 

 

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Mire Lee

June 29–September 17, 2023

New Museum Fourth Floor

 

The New Museum will present the first American solo museum exhibition of the work of Mire Lee (b. 1988, Seoul, South Korea; lives and works between Seoul and Amsterdam, Netherlands). Installed in the New Museum’s Fourth Floor gallery, the exhibition will debut a new site-specific installation featuring an architectural environment and kinetic sculpture. Composed of materials including low-tech motors, pumping systems, steel rods, and PVC hoses filled with grease, glycerin, silicone, slip, and oil, Lee’s animatronic sculptures operate both like living organisms and biological machines. Drawing references from architecture, horror, pornography, and cybernetics, and evoking bodily functions and environmental decay, Lee offers a visceral means to describe properties that exist between the realms of the technological and the corporeal: tenderness, desire, abjection, anxiety, and revulsion, among other states. In the past year, Lee has had institutional solo exhibitions at MMK Frankfurt and Kunstmuseum Den Haag, Netherlands, and has participated in major international exhibitions including the 59th International Art Exhibition of the Venice Biennale, the 58th Carnegie International, and Busan Biennial 2022.

 

This exhibition is curated by Gary Carrion-Murayari, Kraus Family Senior Curator, and Madeline Weisburg, Curatorial Assistant. The exhibition is accompanied by a fully illustrated catalogue published by the New Museum, including a conversation between the artist and Gary Carrion-Murayari as well as texts by Wong Binghao, Florentina Holzinger, and Madeline Weisburg.

 

Mire Lee, Endless House: Holes and Drips, 2022. Multiple ceramic sculptures on a scaffold, lithium carbonate and iron oxide glaze liquid, pump, motor, and mixed media, 71 x 39 2/5 x 157 2/5 in (180 x 100 x 400 cm). Exhibition view: “The Milk of Dreams,” 59th International Art Exhibition, Venice Biennale. Courtesy the artist and Venice Biennale. Photo: Sebastiano Pellion di Persano
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