뉴욕현대미술관(MoMA)가 8월 21일부터 9월 15일까지 '뉴 할리우드(New Hollywood)로 불리운 1970년대 파라마운트 영화사의 걸작을 모은 'Paramount in the 1970s'을 연다. 프란시스 포드 코폴라 감독의 '대부 1' '대부 2'를 비롯, 로만 폴란스키 감독의 '차이나타운' '테넌트', 시드니 루멧 감독의 '서피코', 시드니 폴락 감독의 '쓰리 데이즈 오브 콘도르', 존 슐레징거 감독의 '마라톤 맨', 로버트 알트만 감독의 '내쉬빌', 할 애쉬비 감독의 '해롤드와 모드', 존 배담 감독의 '토요일 밤의 열기' 등이 상영된다. 

https://www.moma.org/calendar/film/5721

 

 

잭 니콜슨 주연, 로만 폴란스키 감독의 '차이나타운'(1974)

 

Paramount in the 1970s

 

Aug 21–Sep 15

Museum of Modern Art

 

The world was undergoing seismic changes in the 1960s, as was international cinema, as various “new waves” challenged outmoded filmic languages and oppressive moral orders, and “auteur theory” claimed cinema as a way for individual directors to express how they saw—and felt—an unstable world. Hollywood, however, kept betting on expensive musicals and grand visual spectacle detached from younger generations’ cultural, social, and political moods.

 

Paramount Pictures’ 1967 hiring of Robert Evans, a 36-year-old former actor, as its head of production signaled that the Hollywood studios were finally filling their ranks with new blood. The massive success of Francis Ford Coppola’s The Godfather helped Evans turn Paramount’s failing fortunes around, positioning the studio as a gateway for some of the most mature, risk-taking films of the 1970s—and opening up US mainstream cinema to depictions of collective fears fed by ethical crises and political disasters at home and abroad. For a few years, studios shifted from escapism toward painful reflections of how things could—and would—go wrong, filling screens with antiheroes, failed relationships, and a social contract threatened by well-earned mistrust in traditional institutions.

 

Before it ceded ground amid the late-1970s rise of the blockbuster, this “New Hollywood” offered mainstream audiences adventurous, often controversial visions tinged with violence, paranoia, and self-reflection—and Paramount Pictures was at the vanguard of this brief but pivotal moment. Paramount in the 1970s brings together a selection of 25 classic and lesser-known titles that were produced or distributed by the studio during this era, from Coppola’s first two Godfather films to government-conspiracy thrillers like Three Days of the Condor and The Parallax View to rarely screened titles like Richard Fleischer’s controversial Mandingo, Gordon Parks’s music biopic Leadbelly, and the documentary The Secret Life of Plants. Several films in the series are being presented in new restorations.

 

#차이나타운 Chinatown. 1974. Directed by Roman Polanski

With an introduction by Andrea Kalas, Senior Vice-President of the Paramount Pictures Archive

Wed, Aug 21, 7:00 p.m.

Sun, Aug 25, 4:00 p.m.

 

#갬블러 The Gambler. 1974. Directed by Karel Reisz

Thu, Aug 22, 4:00 p.m.

Fri, Aug 23, 7:00 p.m.

 

#서피코 Serpico. 1973. Directed by Sidney Lumet

Thu, Aug 22, 7:00 p.m.

Mon, Aug 26, 4:00 p.m.

 

#The Friends of Eddie Coyle. 1973. Directed by Peter Yates

Fri, Aug 23, 4:00 p.m.

Tue, Aug 27, 7:00 p.m.

 

#대부 The Godfather. 1972. Directed by Francis Ford Coppola

Sat, Aug 24, 3:00 p.m. 

Mon, Aug 26, 7:00 p.m.

 

#The Godfather: Part II. 1974. Directed by Francis Ford Coppola

Sat, Aug 24, 7:00 p.m.

Tue, Aug 27, 3:00 p.m.

 

#Mandingo. 1975. Directed by Richard Fleischer

Wed, Aug 28, 4:00 p.m.

Fri, Aug 30, 7:00 p.m.

 

#The Secret Life of Plants. 1978. Directed by Walon Green

Wed, Aug 28, 8:30 p.m.

 

#Super Fly T.N.T. 1973.

Directed by Ron O’Neal

Thu, Aug 29, 4:00 p.m.

Thu, Sep 5, 7:00 p.m.

 

#데드위시 Death Wish. 1974. Directed by Michael Winner

Thu, Aug 29, 7:00 p.m.

Tue, Sep 3, 4:00 p.m.

 

#내쉬빌 Nashville. 1975. Directed by Robert Altman

Fri, Aug 30, 3:30 p.m.

Sun, Sep 1, 4:00 p.m.

 

#Leadbelly. 1976. Directed by Gordon Parks

Sat, Aug 31, 4:00 p.m.

Mon, Sep 2, 6:30 p.m.

 

#Saturday Night Fever. 1977. Directed by John Badham

Sat, Aug 31, 7:00 p.m.

Mon, Sep 2, 4:00 p.m.

 

#The Secret Life of Plants. 1978. Directed by Walon Green

Sun, Sep 1, 1:30 p.m.

 

#Three Days of the Condor. 1975. Directed by Sydney Pollack

Tue, Sep 3, 7:00 p.m.

Wed, Sep 4, 4:00 p.m.

 

#The Parallax View. 1974. Directed by Alan J. Pakula

Wed, Sep 4, 7:00 p.m.

Thu, Sep 5, 4:00 p.m.

 

#Heaven Can Wait. 1978. Directed by Warren Beatty, Buck Henry

Fri, Sep 6, 4:00 p.m.

Sun, Sep 8, 4:00 p.m.

 

#Harold and Maude. 1971. Directed by Hal Ashby

Fri, Sep 6, 7:00 p.m.

Sun, Sep 8, 1:30 p.m.

 

#A New Leaf. 1971. Written and directed by Elaine May

Sat, Sep 7, 4:00 p.m.

Mon, Sep 9, 6:30 p.m.

 

#Daisy Miller. 1974. Directed by Peter Bogdanovich

Sat, Sep 7, 7:00 p.m.

Mon, Sep 9, 4:00 p.m.

 

#Bad Company. 1972. Directed by Robert Benton

Tue, Sep 10, 4:00 p.m.

Wed, Sep 11, 7:00 p.m.

 

#The Tenant. 1976. Directed by Roman Polanski

Tue, Sep 10, 7:00 p.m.

Wed, Sep 11, 4:00 p.m.

 

#마라톤맨 Marathon Man. 1977. Directed by John Schlesinger

Thu, Sep 12, 4:00 p.m.

Sat, Sep 14, 4:00 p.m.

 

#Real Life. 1979. Directed by Albert Brooks

Thu, Sep 12, 7:00 p.m.

Sun, Sep 15, 1:30 p.m.

 

#Citizens Band. 1977. Directed by Jonathan Demme

Fri, Sep 13, 4:00 p.m.

Sat, Sep 14, 7:00 p.m.

 

#Sorcerer. 1977. Directed by William Friedkin

Fri, Sep 13, 7:00 p.m.

Sun, Sep 15, 4:00 p.m.

https://www.moma.org/calendar/film/5721