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THE FACE IN THE MOON: DRAWINGS AND PRINTS BY LOUISE NEVELSON 
EXPLORES THE ARTIST’S WORKS ON PAPER

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*MoMA 전후 작가전: 루이스 네벨슨 Vs. 리 본테쿠
http://www.nyculturebeat.com/?document_srl=3635371&mid=Art

NEW YORK, June 14, 2018—The Face in the Moon: Drawings and Prints by Louise Nevelson opens at the Whitney Museum of American Art on July 20, 2018. Drawn entirely from the Whitney’s extensive holdings of her work, this exhibition presents a career-spanning selection of works on paper by Louise Nevelson (1899–1988).

Nevelson emphasized her reliance on the processes of drawing and collage to create the monochromatic wooden sculptures for which she is best known. This exhibition will be an opportunity to focus closely on her use of these processes in her works on paper, many of which, like her sculptures, involved building compositions out of unconventional or recycled materials.

The human figure is at the center of Nevelson’s early line drawings, often depicted from multiple perspectives. Over time, her figures became increasingly schematic as she deepened her interest in modern dance and the constraints of the body.

The prints on view in this exhibition include works from her two most significant bodies of print works, those made in the mid-1950s at Atelier 17 in New York City and those made in the mid-1960s at Tamarind Lithography Workshop in Los Angeles. In her prints, she layered scraps of fabric to create deeply textured compositions inhabited by mystical figures and architectural forms. Similarly, her collages reconfigure the disparate materials from which they are composed, including scraps of paper and foil, into unexpected compositions.

Clémence White, curatorial assistant, remarked, “Nevelson’s works on paper help to elucidate the processes of this artist whose transformation of her materials challenges us to notice the expressive potential of common or overlooked things, and through this, to see our environments differently.”

The Face in the Moon: Drawings and Prints by Louise Nevelson will be on view in the Susan and John Hess Family Gallery on the Museum’s third floor.

CURATORIAL CREDIT
This exhibition is organized by Clémence White, curatorial assistant.

ABOUT THE WHITNEY
The Whitney Museum of American Art, founded in 1930 by the artist and philanthropist Gertrude Vanderbilt Whitney (1875–1942), houses the foremost collection of American art from the twentieth and twenty-first centuries. Mrs. Whitney, an early and ardent supporter of modern American art, nurtured groundbreaking artists at a time when audiences were still largely preoccupied with the Old Masters. From her vision arose the Whitney Museum of American Art, which has been championing the most innovative art of the United States for more than eighty years. The core of the Whitney’s mission is to collect, preserve, interpret, and exhibit American art of our time and serve a wide variety of audiences in celebration of the complexity and diversity of art and culture in the United States. Through this mission and a steadfast commitment to artists themselves, the Whitney has long been a powerful force in support of modern and contemporary art and continues to help define what is innovative and influential in American art today.