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Andy Warhol: Revelation

 

November 19, 2021–June 19, 2022

Brooklyn Museum

 

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Andy Warhol, Raphael Madonna-$6.99, 1985, The Andy Warhol Museum, Pittsburgh, © The Andy Warhol Foundation for the Visual Arts, Inc.

 

Although Andy Warhol is one of the most celebrated and recognizable artists of the twentieth century, his Byzantine Catholic upbringing, and its profound impact on his life and work, remains a lesser known facet of his career. Andy Warhol: Revelation explores the artist’s lifelong relationship with his faith that frequently appeared in his artworks.

 

From iconic portraits of celebrities to appropriated Renaissance masterpieces, Warhol played with styles and symbolism from Catholic art history, carefully reframing them within the context of Pop art and culture. Throughout his life, Warhol retained some of his Catholic rituals, while also unapologetically living as an out gay man.

 

Andy Warhol: Revelation examines themes such as life and death, power and desire, the role and representation of women, Renaissance imagery, family and immigrant traditions and rituals, depictions and duplications of Christ, and the Catholic body and queer desire. Among the more than one hundred objects on view are rare source materials and newly discovered items that provide a fresh and intimate look at Warhol's creative process, as well as major paintings from his epic Last Supper series (1986), the experimental film The Chelsea Girls (1966), an unfinished film depicting the setting sun, commissioned by the de Menil family and funded by the Roman Catholic Church, and drawings created by Warhol’s mother, Julia Warhola, when she lived with her son in New York City.

 

Revelation will be the first exhibition to comprehensively examine the Pop artist’s complex Catholic faith in relation to his artistic production.

 

 

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Christian motifs frequently appear in both explicit and metaphorical forms throughout the body of Warhol’s oeuvre. While his monumental crosses and depictions of Christ directly reference biblical stories, the exhibition will also explore his coded depictions of spirituality such as an unfinished film reel depicting the setting sun, originally commissioned by the de Menil family and funded by the Roman Catholic Church.

 

Born in Pittsburgh to a devout Byzantine Catholic family, Warhol grew up attending multiple weekly services at his local church with his mother, Julia Warhola. He would stare for hours at the icon paintings of Christ and the saints that hung in the elaborate iconostasis, or icon screen, at the front of the nave. In the Warhola family’s Carpatho-Rusyn neighborhood, life revolved around the church community, and the young artist was deeply impacted from this environment. Using The Warhol’s robust holdings of the artist’s early works, the exhibition will trace the influence of his religious roots in Pittsburgh to his Pop career in New York City.

 

Throughout his life as a celebrity artist, Warhol retained some of his Catholic practices when his peers were distancing themselves from their religious backgrounds. Yet, his relationship with Catholicism was far from simple. As a queer man, Warhol may have felt a sense of guilt and fear towards the Catholic Church, which kept him from fully immersing himself in the faith. Nevertheless, he used various media to explore this tension through his art.

 

From iconic portraits of celebrities to appropriated Renaissance masterpieces, Warhol flirted with styles and symbolism from Eastern and Western Catholic art history, carefully reframing them within the context of Pop. Through this process, the artist elevated kitsch and mundane images from mass media and transformed them into sacred high art.

 

Revelation will feature over 100 objects from the museum’s permanent collection, including archival materials, drawings, paintings, prints and film. Rare source material and newly discovered items will provide an intimate look on Warhol’s creative process. Through both obscure works such as the “sunset” film commission from 1967 and late masterpieces like the pink Last Supper (1986), the exhibition will present a fresh perspective on the artist.

 

Andy Warhol: Revelation is curated by José Carlos Diaz, chief curator at The Warhol. The exhibition includes a full-color catalogue with contributions from Diaz and Miranda Lash, curator of contemporary art at the Speed Art Museum.

 
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