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FILM FORUM

 

CLARA BOW

 

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MOST MONDAYS, OCTOBER 7 – DECEMBER 30

 

16-FILM FESTIVAL OF BROOKLYN-BORN “IT GIRL,” THE MARILYN MONROE OF THE JAZZ AGE, INCLUDING SILENTS AND PRE-CODE TALKIES

STARTS MONDAY, OCTOBER 7 WITH HER SIGNATURE FILM IT AND REDISCOVERED SHORT THE PILL POUNDER 

 
A festival of silent films and early talkies starring the legendary “It Girl” CLARA BOW, will run on most Mondays at Film Forum from October 7 to December 30 (additional screening on Thursday, October 17).  Most shows in the festival will be introduced by David Stenn, author of the definitive biography Clara Bow: Runnin’ Wild. Silents will feature live piano accompaniment by Steve Sterner.

The festival opens on Monday, October 7 with Bow in her signature movie, the silent comedy IT, also featuring a young Gary Cooper just on the verge of stardom.  The title refers to the synonym for “sex appeal” coined by British author Elinor Glyn (who makes a cameo appearance in the movie).  IT will be shown with THE PILL POUNDER, a 1923 short with Bow in one of her earliest roles.  It was considered lost until discovered at an auction in Omaha last year and restored earlier this year by the San Francisco Silent Film Festival.    

The hottest star of the Jazz Age, Bow was hailed by F. Scott Fitzgerald at the time as “someone to stir every pulse in the nation.”  But she has never left the public consciousness.  In 1958, Marilyn Monroe posed as Bow for a LIFE magazine spread photographed by Richard Avedon. Earlier this year, Taylor Swift released the song “Clara Bow” on her album “The Tortured Poets Department.”

Clara Bow (1906-1965) was born in Brooklyn poverty to an abusive, alcoholic father and a schizophrenic mother. At 16, she won first prize in a fan magazine’s “Fame and Fortune Contest,” which awarded her a small part in a movie. Signed by independent producer B. P. Schulberg, she was cast as the perfect "flapper,” 1920s slang for a liberated, free-spirited young woman. But it was Bow’s career-defining role in IT that catapulted her to top stardom. Unlike many of her contemporaries, the advent of talkies failed to knock Bow off her throne. At the peak of her career, she made fifteen movies a year and received 45,000 fan letters a month. But at twenty-five, it was all over—the result of booze, scandal, and a Hollywood society that never accepted the brash kid from Brooklyn. 

Bow biographer David Stenn says, ”There was more to Clara than ‘It.’ Looking beyond her iconic stature as the greatest flapper of them all, here’s a chance to revel with one of the greatest natural talents in movie history.” 

David Stenn's writing-producing television credits span from “Hill Street Blues” to “Boardwalk Empire” and include “21 Jump Street,” “Beverly Hills 90210” and “The L Word.”  His first book, Clara Bow: Runnin' Wild, edited by Jacqueline Onassis, became a national bestseller. It was followed by Bombshell: The Life and Death of Jean Harlow. “It Happened One Night…At M-G-M,” Stenn’s discovery for Vanity Fair of Hollywood’s best-suppressed scandal, brought vindication to rape survivor Patricia Douglas after sixty-six years. Stenn then adapted it into the documentary GIRL 27.  He is a passionate supporter of film preservation and serves on the Film Committee of the Museum of Modern Art in New York and Board of Directors at the UCLA Film & Television Archive in Los Angeles.

The Clara Bow festival has been programmed by Bruce Goldstein, Film Forum Repertory Artistic Director, and David Stenn. 
 
 
FILM FORUM
209 West Houston St.
https://filmforum.org
 
Public Screening Schedule
Subject to change; check web for latest

IT
U.S., 1927 
Directed by Clarence G. Badger 
With Clara Bow, Antonio Moreno, Gary Cooper  
Based on the novel by Elinor Glyn
Approx. 72 min. Restored DCP. 

with

THE PILL POUNDER 

U.S., 1923 
Directed by Gregory La Cava 
With Clara Bow, Charles Murray
Approx. 20 min. Restored DCP courtesy San Francisco Silent Film Festival. 

Monday, Oct 7 at 6:00
♪ With live piano accompaniment by Steve Sterner

 
 
THE SATURDAY NIGHT KID 
U.S., 1929 
Directed by A. Edward Sutherland 
With Clara Bow, Jean Arthur, Jean Harlow, James Hall 
Approx. 63 min. 35mm. 

Thursday, October 17 at 6:00
 
MY LADY OF WHIMS 
U.S., 1925 
Directed by Dallas M. Fitzgerald 
With Clara Bow, Donald Keith 
Approx. 70 min. Restored DCP courtesy UCLA Film and Television Archive.

Monday, October 21 at 6:00
♪ With live piano accompaniment by Steve Sterner
 
THE WILD PARTY 
U.S., 1929 
Directed by Dorothy Arzner 
With Clara Bow, Fredric March 
Approx. 77 min. 35mm. 

Monday, October 28 at 6:15 
 
HER WEDDING NIGHT 
U.S., 1930 
Directed by Frank Tuttle 
With Clara Bow, Ralph Forbes, Charles Ruggles 
Approx. 75 min. 35mm.

Monday, November 4 at 6:00 
 
CALL HER SAVAGE 
U.S., 1932 
Directed by John Francis Dillon 
With Clara Bow, Gilbert Roland 
Approx. 88 min. Restored 35mm print courtesy MoMA.

Monday, November 11 at 6:00
 
KICK IN 
U.S., 1931 
Directed by Richard Wallace 
With Clara Bow, Regis Toomey
Approx. 75 min. 35mm. 

Monday, November 18 at 6:00
 

WINGS
U.S., 1927 
Directed by William A. Wellman 
With Clara Bow, Charles “Buddy” Rogers, Gary Cooper 
Winner of first Academy Award for Best Picture (then called “Best Production”)
Approx. 114 min. Restored DCP. 

Monday, November 25 at 7:00
♪ With live piano accompaniment by Steve Sterner
 
MANTRAP 
U.S., 1926 
Directed by Victor Fleming 
With Clara Bow, Ernest Torrence
Based on the novel by Sinclair Lewis 
Approx. 86 min. 35mm print courtesy UCLA Film and Television Archive.

Monday, December 2 at 6:20
♪ With live piano accompaniment by Steve Sterner
 
THE PLASTIC AGE 
U.S., 1925 
Directed by Wesley Ruggles 
With Clara Bow, Donald Keith, Gilbert Roland, Clark Gable (bit part)
Approx. 73 min. 35mm print courtesy UCLA Film and Television Archive.

Monday, December 9 at 6:30
♪ With live piano accompaniment by Steve Sterner
 
KID BOOTS 
U.S., 1926 
Directed by Frank Tuttle 
With Eddie Cantor, Clara Bow
Approx. 77 min. Restored DCP courtesy the Film Preservation Society. 

Monday, December 16 at 6:00
♪ With live piano accompaniment by Steve Sterner
 
DANCING MOTHERS 
U.S., 1926 
Directed by Herbert Brenon 
With Clara Bow, Alice Joyce. 
Approx. 65 min. Restored DCP courtesy San Francisco Silent Film Festival. 

with

RED HAIR Fragments 

U.S., 1928 
Directed by Clarence G. Badger 
With Clara Bow
Approx. 35mm print courtesy UCLA Film and Television Archive.

Monday, December 23 at 6:00
♪ With live piano accompaniment by Steve Sterner
 
HOOPLA 
U.S., 1933 
Directed by Frank Lloyd 
With Clara Bow, Preston Foster, Richard Cromwell 
Approx. 85 min. Restored 35mm print courtesy MoMA 

with

SCREEN SNAPSHOTS 

short featuring the last footage of Bow
U.S. 1949 
Approx. 10 min.

Monday, December 30 at 6:30
♪ With live piano accompaniment by Steve Sterner

 

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