2017 퓰리처상 수상자
2017 Pulitzer Prizes
JOURNALISM
New York Daily News and ProPublica
For uncovering, primarily through the work of reporter Sarah Ryley, widespread abuse of eviction rules by the police to oust hundreds of people, most of them poor minorities.
Staff of East Bay Times, Oakland, CA
For relentless coverage of the “Ghost Ship” fire, which killed 36 people at a warehouse party, and for reporting after the tragedy that exposed the city’s failure to take actions that might have prevented it.
Eric Eyre of Charleston Gazette-Mail, Charleston, WV
For courageous reporting, performed in the face of powerful opposition, to expose the flood of opioids flowing into depressed West Virginia counties with the highest overdose death rates in the country.
International Consortium of Investigative Journalists, McClatchy and Miami Herald
For the Panama Papers, a series of stories using a collaboration of more than 300 reporters on six continents to expose the hidden infrastructure and global scale of offshore tax havens. (Moved by the Board from the International Reporting category, where it was entered.)
The Salt Lake Tribune Staff
For a string of vivid reports revealing the perverse, punitive and cruel treatment given to sexual assault victims at Brigham Young University, one of Utah’s most powerful institutions.
David A. Fahrenthold of The Washington Post
For persistent reporting that created a model for transparent journalism in political campaign coverage while casting doubt on Donald Trump’s assertions of generosity toward charities.
The New York Times Staff
For agenda-setting reporting on Vladimir Putin’s efforts to project Russia’s power abroad, revealing techniques that included assassination, online harassment and the planting of incriminating evidence on opponents.
C. J. Chivers of The New York Times
For showing, through an artful accumulation of fact and detail, that a Marine’s postwar descent into violence reflected neither the actions of a simple criminal nor a stereotypical case of PTSD.
Peggy Noonan of The Wall Street Journal
For rising to the moment with beautifully rendered columns that connected readers to the shared virtues of Americans during one of the nation’s most divisive political campaigns.
Hilton Als of The New Yorker
For bold and original reviews that strove to put stage dramas within a real-world cultural context, particularly the shifting landscape of gender, sexuality and race.
Art Cullen of The Storm Lake Times, Storm Lake, IA
For editorials fueled by tenacious reporting, impressive expertise and engaging writing that successfully challenged powerful corporate agricultural interests in Iowa.
Jim Morin of Miami Herald
For editorial cartoons that delivered sharp perspectives through flawless artistry, biting prose and crisp wit.
Daniel Berehulak, freelance photographer
For powerful storytelling through images published in The New York Times showing the callous disregard for human life in the Philippines brought about by a government assault on drug dealers and users. (Moved into this category from Feature Photography by the nominating jury.)
E. Jason Wambsgans of Chicago Tribune
For a superb portrayal of a 10-year-old boy and his mother striving to put the boy’s life back together after he survived a shooting in Chicago.
LETTERS, DRAMA & MUSIC
The Underground Railroad, by Colson Whitehead (Doubleday)
For a smart melding of realism and allegory that combines the violence of slavery and the drama of escape in a myth that speaks to contemporary America.
Sweat, by Lynn Nottage
For a nuanced yet powerful drama that reminds audiences of the stacked deck still facing workers searching for the American dream.
Blood in the Water: The Attica Prison Uprising of 1971 and Its Legacy, by Heather Ann Thompson (Pantheon)
For a narrative history that sets high standards for scholarly judgment and tenacity of inquiry in seeking the truth about the 1971 Attica prison riots.
The Return: Fathers, Sons and the Land in Between, by Hisham Matar (Random House)
For a first-person elegy for home and father that examines with controlled emotion the past and present of an embattled region.
Olio, by Tyehimba Jess (Wave Books)
For a distinctive work that melds performance art with the deeper art of poetry to explore collective memory and challenge contemporary notions of race and identity.
Evicted: Poverty and Profit in the American City, by Matthew Desmond (Crown)
For a deeply researched exposé that showed how mass evictions after the 2008 economic crash were less a consequence than a cause of poverty.
Angel's Bone, by Du Yun
Premiered on January 6, 2016, at the Prototype Festival, 3LD Arts and Technology Center, New York City, a bold operatic work that integrates vocal and instrumental elements and a wide range of styles into a harrowing allegory for human trafficking in the modern world. Libretto by Royce Vavrek.
