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NEW YORK FESTIVAL OF SONG

Steven Blier, Artistic Director • Michael Barrett, Associate Artistic Director
 
concludes the 2017-18 edition of its contemporary song mini-series

NYFOS Next

with composer and singer

CLARICE ASSAD & Friends

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Assad curates and hosts a 75-minute program that includes a premiere of her own
alongside songs by other Brazilian and Latin American composers

Featuring music by
Antonio Carlos Jobim • Sergio Santos & Paulo Cesar Pinheiro
Milton Nascimento • João Bosco & Aldir Blanc 
Clarice Assad • Gilberto Gil • Sueli Costa
Luiz Gonzaga • Dolores Duran • Thiago Amud


Performers:
Clarice Assad, piano & voice
Jorge Continentino, winds
João Luiz Rezende, guitar
Keita Ogawa, percussion
Shin Sakaino, bass
 

Friday, May 4, 2018, 7:00 p.m.

 

Subculture

   
On Friday, May 4 at 7:00 p.m. at Subculture in Greenwich Village, NYFOS Next—the “invaluable" moveable modern song salon from the "indefatigable art-song devotees" (The New Yorker) at New York Festival of Song—concludes its 2017-18 season with CLARICE ASSAD & FRIENDS. Assad, the noted Brazilian-American composer, pianist and singer, will host and curate 75 minutes of vocal works by herself and other Brazilian and Latin composers, showcasing the diversity of musical styles in her home country.

Clarice Assad is a member of the celebrated musical family that includes her father Sergio Assad (composer and guitarist), uncle Odair Assad (guitarist), and aunt Badi Assad (vocalist). A highly prolific and commissioned composer, her numerous honors, awards and commissions include a Violin Concerto (2004) written for Nadja Salerno-Sonnenberg. Carefully crafted colorful textures permeate her vibrant and soulful musical world, which embraces a wide variety of styles, including her own original concepts. 

For her first NYFOS Next, Clarice has curated a program around the themes of "Pioneers, legacy, territory and American influence" (view complete program below). Most of the music is hardly performed and will include the world premiere of Assad's "FOFOCA," which translates to "gossip." 

Clarice states: "Included in this program are pioneer composers such as Luiz Gonzaga, who popularized musical styles such as 'forró' and 'baião'; Gilberto Gil, one of the first composers to set forth a musical style blending songs with traditional African rhythms that were never used in music before, like afoxé; and Chiquinha Gonzaga, recognized as Brazil's first female woman composer of the 1800’s."

The evening presents a fascinating lineage of female composers who had to break free from societal rules in order to be recognized as "composers." Assad points out that "Chiquinha Gonzaga (early 20th century) influenced Dolores Duran (40’s-50’s), who influenced Sueli CostaJoyce and Ana Terra (70-s - present), who influenced composers from my generation and beyond." 
*

This event concludes the eighth season of NYFOS Next, NYFOS's contemporary song mini-series that has found a new home at SubCulture. With an emphasis on spontaneity, novelty, and collaboration, NYFOS Next looks to the future, offering today’s song composers a forum for their work. Audiences get an intimate look inside the creative process, as freshly-minted songs are offered—some for the first time—in an informal setting. Curator/hosts for past NYFOS Nexts include Bright Sheng, Paul Moravec, Gabriel Kahane, Joseph Thalken, Phil Kline, Carla Kilhstedt, Mohammed Fairouz, Kevin Puts, Russell Platt, Mark Adamo, John Musto, Harold Meltzer, David T. Little, Lowell Liebermann, Gabriela Lena Frank, Christopher Cerrone, Lauren Worsham and Kyle Jarrow.
 
"An evening that felt like the cutting edge of experimental art song.
In a word, it felt very 'next.'" — OPERA NEWS

“a series that makes a passionate case for the art song as a
can’t-live-without item on any civilized traveler’s packing list.”

 THE NEW YORK TIMES

The 2017-2018 NYFOS Next series is made possible in part by a generous grant
from the Susan W. Rose Fund for Music.

The Program

Afoxé Filhos de Ghandi / Gilberto Gil
PATUSCADA DE GHANDI

Vitor Martins & Sueli Costa
20 ANOS BLUE

Sergio Santos & Paulo Cesar Pinheiro 
ARTIGO DE LUXO

Luiz Gonzaga
FROM UNITED STATES OF PIAUÍ

João Bosco & Aldir Blanc 
CABARÉ

Dolores Duran 
A NOITE DO MEU BEM

Antonio Carlos Jobim & Vinicius de Moraes
CHEGA DE SAUDADE

Joyce & Ana Terra
ESSA MULHER

Thiago Amud
DE PONTA A PONTA TUDO É PRAIA PALMA 

Chiquinha Gonzaga 
CORTA-JACA

Edu Lobo - Chico Buarque
FREVO DIABO

Milton Nascimento & Fernando Brant
MARIA MARIA

Clarice Assad
FOFOCA

Clarice Assad

Described by The San Francisco Chronicle as "a serious triple threat," Brazilian-American Clarice Assad is a Grammy nominated composer, performer and educator of musical depth and versatility. Her music has been commissioned by Carnegie Hall, Orquestra Sinfônica de São Paulo, General Electric, Sybarite5, Cedille Records, the Vail Music Festival and the La Jolla Music Festival and the Chamber Music Society of Lincoln Center, to name a few. Her works have been recorded by some of the most prominent names in the classical contemporary music scene today, including Dame Evelyn Glennie, Yo-Yo Ma, Nadja Salerno-Sonnenberg and Liang Wang. 

Assad has served as a composer-in-residence for the Albany Symphony, the Cabrillo Festival of Contemporary Music, the New Century Chamber Orchestra and the Boston Landmarks Orchestra.  She is the recipient of such awards as the Aaron Copland Award, several ASCAP awards in composition, New Music USA, the Van Lier Fellowship, League of American Orchestras, NPR’s All Songs Considered, the Mcknight Visiting Composer Fellowship and The American Composers Forum’s National Composition Competition. Assad’s music is represented on Cedille Records, SONY Masterworks, Nonsuch, Adventure Music, Edge, Telarc, NSS Music, GHA, and CHANDOS labels. 

As a performer, Clarice has shared the stage with Bobby McFerrin, Anat Cohen, Nadia Sirota, Paquito D’Rivera, Tom Harrell, Marilyn Mazur and Mike Marshall, among other outstanding musicians.  She has performed at venues and festivals including Jazz at Lincoln Center, the Caramoor International Jazz Festival, Carnegie hall, The Metropolitan Museum of Art, Concertgebow, Le Casino de Paris and Le Palais des Beaux Arts in Brussels.

Hailed by The Los Angeles Times as “a dazzling soloist,” Clarice sings in Portuguese, Spanish, French, Italian and English, but thrives in exploring the voice as an instrument, creating a vast range of innovative textures and vocabulary of extended techniques into her music. Such interest in the human voice, combined with her passion for orchestral music led to the creation of the world’s first scat singing concerto, which she performs frequently with orchestras around the world.    

A passionate educator, Clarice is the founder of VOXploration - a creative workshop exploring the body and the voice as musical instruments that combine improvisation, songwriting and compositional elements. VOX has received grants and awards from Brazilian foundations such as CAIXA CULTURAL and SESC. She has also taught the workshop extensively in the United States, Qatar, Poland, Denmark and Italy. Assad is currently developing an educational program featuring the workshop in the south side of Chicago, in collaboration with the Old Town School of Folk Music.

She holds a Bachelor of Music degree from the Roosevelt University and a Master of Music degree from The University of Michigan School of Music, where she studied with Michael Daugherty, Susan Botti and Evan Chambers.  Her works are published in France (Editions Lemoine), Germany (Trekel), Criadores do Brasil (Brazil) and by Virtual Artists Collective Publishing, (VACP) a publishing company co-founded with poet and philosopher Steve Schroeder.