THE EXPANDED AND REIMAGINED MUSEUM OF MODERN ART 

TO OPEN ON OCTOBER 21, 2019

New York, NY, February 5, 2019—The Museum of Modern Art announced today that MoMA

will open its expanded campus on October 21, 2019, with a reimagined presentation of

modern and contemporary art.

The expansion, developed by MoMA with architects Diller Scofidio + Renfro, in collaboration

with Gensler, adds more than 40,000 square feet of gallery spaces and enables the Museum

to exhibit significantly more art in new and interdisciplinary ways. The Studio in the heart of

the Museum will feature live programming and performances that react to, question, and

challenge histories of modern art and the current cultural moment. An innovative secondfloor 

Platform for education will invite visitors to connect with art that explores new ideas

about the present, past, and future. Street-level galleries, free and open to all on the

expanded ground floor, will better connect the Museum to New York City and bring art closer

to people on the streets of midtown Manhattan.

“Inspired by Alfred Barr’s original vision to be an experimental museum in New York, the real

value of this expansion is not just more space, but space that allows us to rethink the

experience of art in the Museum,” said Glenn D. Lowry, The David Rockefeller Director of The

Museum of Modern Art. “We have an opportunity to re-energize and expand upon our

founding mission—to welcome everyone to experience MoMA as a laboratory for the study

and presentation of the art of our time, across all visual arts.”

Reinstallation of the Collection

In October 2019, MoMA will reveal a presentation that highlights the creative affinities and

frictions produced by displaying painting, sculpture, architecture, design, photography,

media, performance, film, and works on paper together. A new curatorial generation will

continually renew the experience of the Museum through installations and exhibitions, artist

commissions, and programs that encourage debate and discovery.

The fifth-, fourth-, and second-floor galleries will offer a deeper experience of art through all

mediums and by artists from more diverse geographies and backgrounds than ever before. A

general chronological spine will unite the three floors and serve as a touchstone of continuity

for visitors. Individual galleries, some of which will be medium-specific, will delve into

presentations of art and ideas that only MoMA’s collection can offer. This curatorial vision

foregrounds the complex relationships among works of art and leverages the new

architecture to encourage a multitude of possible routes through the Museum.

Recognizing that there is no single or complete history of modern and contemporary art, the

Museum will systematically rotate a selection of art in these collection galleries every six to

nine months. By 2022, MoMA will have re-choreographed each of its galleries across the fifth,

fourth, and second floors—and will constantly renew the presentation.

Inaugural Exhibitions

All of the opening exhibitions in October 2019 will be drawn from the Museum’s collection.

MoMA announced four of those exhibitions today and will announce many more later this

year.

#Sur moderno: Journeys of Abstraction―The Patricia Phelps de Cisneros Gift will provide a

deeper look into the Museum’s holdings of modern Latin American art, primarily through

paintings, sculptures, and works on paper donated by the Colección Patricia Phelps de

Cisneros between 1997 and 2016. On view through March 2020, the exhibition celebrates

important abstract, concrete, and geometric art by artists from Brazil, Venezuela, Argentina,

and Uruguay.

#member: Pope.L, 1978–2001 will explore landmark performances and related videos,

objects, and installations by the multidisciplinary artist Pope.L, on view through January

2020. This exhibition is part of Pope.L: Instigation, Aspiration, Perspiration, a trio of

presentations organized by MoMA, the Whitney Museum of American Art, and Public Art Fund.

#Betye Saar: The Legends of Black Girls Window, drawn almost entirely from the Museum’s

collection, explores the deep ties between Saar’s iconic autobiographical sculpture Black

Girl’s Window (1969) and the artist’s rare, early prints, made during the 1960s. On view

through January 2020, an extensive group of newly acquired works on paper will reveal the

themes of family, history, mysticism, and life cycles at the heart of Saar’s practice.

#Studio Museum at MoMA, The Elaine Dannheisser Project Series, will be curated by Thelma

Golden, director and chief curator of The Studio Museum in Harlem, as part of an exciting

multi-year partnership announced today between The Studio Museum, The Museum of

Modern Art, and MoMA PS1. The series’ first installation, featuring artist Michael Armitage, will

open in the new Sue and Edgar Wachenheim III Projects Gallery on the Museum's expanded

ground floor with free access to all. The partnership will also include exhibitions by The Studio

Museum’s artists-in-residence at MoMA PS1, extend the trailblazing MoMA/Studio Museum

Fellowship program, and offer audiences unique opportunities through Membership,

Education, and Public Programs.

New Spaces for New Connections

The state-of-the-art Marie-Josée and Henry Kravis Studio will create a double-height space

for live and experimental programming in the heart of the Museum’s collection galleries.

Performance, dance, music, moving image, sound works, and art forms not yet imagined will

now seamlessly connect to galleries of modern and contemporary art. The Studio will be a

space for collection-responsive programming, including David Tudor and Composers Inside 

Electronics, and for residencies and commissions by established and emerging artists, such as

Okwui Okpokwasili, Adam Linder, and Shahryar Nashat.

The Paula and James Crown Platform on the second floor will be an experimental, creative

space to explore ideas, questions, and art processes that arise from MoMA’s collection.

Visitors can drop in to make art, join facilitated conversations, and participate in programs

that connect people more deeply with art and each other. This welcoming space will offer

innovative, accessible educational experiences daily in the Museum’s galleries and

classrooms, with partner organizations, and online at moma.org.

The new MoMA will open earlier to the public, at 10:00 a.m.; extend its hours until 9:00 p.m.

on the first Thursday of every month; continue to offer exceptional dining options; and launch

a new Museum Store, featuring the most comprehensive assortment of collection-related and

curator-reviewed books and products.

MoMA’s members will experience this transformation first, with special opening events and

early access. Member benefits also will include a new dedicated entrance and coat check,

9:30 a.m. entry 363 days a year, exhibition previews, and premium programming.

Last Look

To prepare for the opening of the new MoMA, the Museum’s final day of general admission

will be June 15, 2019. The Museum’s spring exhibitions will now close on that date, including

Lincoln Kirstein’s Modern, Joan Miró: Birth of the World, New Order: Art and Technology in the

Twenty-First Century, and The Value of Good Design.

The Museum will host a members-only day on June 16, 2019, to celebrate this culminating

moment.

MoMA PS1

Throughout 2019, MoMA PS1 will remain open and on its regular schedule, Thursday–

Monday, 12:00–6:00 p.m. Visitors can enjoy a major presentation of works by feminist artist

and activist Nancy Spero, a retrospective of Lebanese-American artist Simone Fattal, solo

exhibitions of New York–based artist Gina Beavers and Native American artist Edgar Heap of

Birds, and The Studio Museum artists-in-residence exhibition. The Young Architects Program

installation, jointly organized by MoMA and MoMA PS1, will be on view in the courtyard along

with architectural models by the five finalists. On Saturdays, from July 6 through September

2, 2019, MoMA PS1’s celebrated summer music series Warm Up returns with daylong

programs of live and electronic music from around the world.