피아니스트 조이스 양(Joyce Yang)이 맨해튼 첼시의 무용 전문 극장 조이스 시어터(Joyce Theater)에서 연주한다.

조이스 양은 3월 20일부터 24일까지 아스펜 산타페 발레(Aspen Santa Fe Ballet)의 뉴욕 초연 작품의 반주자로 무대에 오른다.

아스펜 산타페 발레단은 이날 "Where We Left Off"(필립 글래스 작곡, 니콜로 폰테 안무), " Dream Play"(쇼팽 작곡, 페르난도 멜로 안무), "Half/Cut/Split"(슈만 작곡, 조르마 엘로 안무)를 공연한다. 티켓: $10부터 https://www.joyce.org/performances/aspen-santa-fe-ballet

Photo: Sharen Bradford

Aspen Santa Fe Ballet: An Evening with Pianist Joyce Yang 

MARCH 20-24, 2019 

THE JOYCE IN CHELSEA

Aspen Santa Fe Ballet returns to The Joyce in high style, bringing a milestone evening of three commissioned works?all New York premieres?featuring live music by renowned concert pianist Joyce Yang. Choreographer Jorma Elo collaborates with Yang to bring Schumann’s Carnaval to life in the quirky Half/Cut/Split. Fernando Melo’s multimedia Dream Play, set to the music of Erik Satie, changes the audience’s viewing perspective, while Nicolo Fonte uses Philip Glass’s meditative score to full effect in Where We Left Off.

Curtain Chat: Thu, Mar 21

Master Class: Fri, Mar 22 (click to register)

TICKET PRICES: start at $10!

Call JoyceCharge at 212-242-0800 for $10 tickets. All other tickets can be purchased online.

RUNNING TIME: 1 hr 57 mins

https://www.joyce.org/performances/aspen-santa-fe-ballet

Photo: Sharen Bradford

Aspen Santa Fe Ballet 

Founder: Bebe Schweppe 

Artistic Director: Tom Mossbrucker 

Executive Director: Jean-Philippe Malaty 

Artists: Katherine Bolanos, Sadie Brown, Samantha Klanac Campanile, Jenelle Figgins, Nolan DeMarco McGahan, Austin Reynolds, Evan Supple, Anthony Tiedeman, Pete Leo Walker, Joseph Watson, Jenny Winton 

# Where We Left Off,  ASFB Commissioned Work 

Choreography: Nicolo Fonte 

Music: Philip Glass* 

Lighting Design: Seah Johnson 

Costume Design: Mark Zappone 

Staged By: Emily Franc 

 

# Dream Play, ASFB Commissioned Work 

Choreography: Fernando Melo 

Co-creator: Shumpei Nemoto 

Music: Erik Satie, Frederic Chopin 

Lighting Design: Seah Johnson 

Costume Design: Jerome Delbey 

Scenic Design Construction: Danny Bacheldor 

# ASFB Commissioned Work 

Choreography: Jorma Elo 

Music: Robert Schumann 

Lighting Design: Seah Johnson 

Costume Design: Nete Joseph 

About the company 

Ballet’s dynamic story in the American West 

In 1996, Aspen Santa Fe Ballet Founder Bebe Schweppe invited Tom Mossbrucker and Jean-Philippe Malaty to 

create a ballet company in Aspen. A unique, multidimensional arts organization developed rapidly from the ballet 

school Schweppe had established in the Rocky Mountains. “Bebe’s vision for Aspen to have its own ballet 

company was the project of a lifetime,” says Malaty, ASFB’s Executive Director. “We embarked together on a 

serendipitous adventure. More than twenty years later, the connection between the dancers and our two 

communities is deep and inextricable.” 

Joyce Yang, Piano 

Grammy-nominated pianist Joyce Yang came to international attention when she won the silver medal at the 12th 

Van Cliburn International Piano Competition in 2005. The youngest contestant at 19 years old, she also took 

home the awards for Best Performance of Chamber Music and of a New Work. A Steinway artist, she received 

an Avery Fisher Career Grant in 2010 and her first Grammy nomination in 2017 (Best Chamber Music/Small 

Ensemble Performance) for her recording of Franck, Kurtag, Previn & Schumann with violinist Augustin 

Hadelich. Yang has performed with the New York Philharmonic, Philadelphia Orchestra, Chicago Symphony, 

San Francisco Symphony, Los Angeles Philharmonic, and BBC Philharmonic, among many others, working with 

such distinguished conductors as James Conlon, Edo de Waart, Manfred Honeck, Lorin Maazel, Leonard Slatkin, 

and Jaap van Zweden. She has appeared in recital at New York’s Lincoln Center and Metropolitan Museum, 

Washington’s Kennedy Center, Chicago’s Symphony Hall, and Zurich’s Tonhalle. In the 2017/2018 season, Yang 

embarks on a journey of debuts, collaborations, and premieres. Highlights include her 12th consecutive appearance 

as a guest artist at the Aspen Music Festival, her debut with the New Zealand Symphony Orchestra under Edo De 

Waart performing Rachmaninov’s Piano Concerto No. 3 in five New Zealand cities, a reunion with the Baltimore 

Symphony Orchestra for three performances of Prokofiev’s Piano Concerto No. 3, and her first collaboration with 

the Aspen Santa Fe Ballet on a new work for dancers and solo piano choreographed by Jorma Elo. The work will 

receive its world premiere in Aspen this March. Yang will also perform alongside the Nashville Symphony 

Orchestra, Lexington Philharmonic, Eugene Symphony, Santa Rosa Symphony, Rochester Philharmonic, 

Milwaukee Symphony, Reno Philharmonic, Allentown Symphony, Oklahoma City Philharmonic, Vancouver 

Symphony, and Asheville Symphony. She will continue her enduring partnership with longtime collaborators 

Alexander String Quartet with performances of works by Schumann and Brahms in California and New York. 

Born in Seoul, Korea, in 1986, Yang received her first piano lesson from her aunt at age four. In 1997 she moved 

to the United States to study in the pre-college division of the Juilliard School. After winning the Philadelphia 

Orchestra’s Greenfield Student Competition, she performed Prokofiev’s Third Piano Concerto with that orchestra 

at just twelve years old. Yang appears in the film In the Heart of Music, a documentary about the 2005 Cliburn Competition. www.PianistJoyceYang.com | www.facebook.com/PianistJoyceYang 

Photo: Sharen Bradford

Aspen Santa Fe Ballet 

Bebe Schweppe, Founder, grew up in Augusta, Georgia, and started dancing at the Georgia Dance Theatre, 

under Frankie Levy at the age of seven. She was invited by Robert Joffrey to study at his school in New York on 

a full scholarship at age eleven. Bebe moved to Aspen in 1975 and fifteen years later founded the Aspen Ballet 

School. Her presence was a catalyst in the region. In 1996, she invited Jean-Philippe Malaty and Tom 

Mossbrucker to develop a small professional company in Aspen. Through their combined energies, the Aspen 

Ballet Company was born a year later. Shortly after, new performing opportunities beckoned in Santa Fe, upon 

which the company was renamed Aspen Santa Fe Ballet. Bebe speaks with pride when she considers the changes 

that have occurred over the years to her “baby”. “The Company has evolved to having earned a name of its own 

ASFB. What a treat! It is recognized by other artists and respected by all. This is of course due in large part 

to Jean-Philippe and Tom.” She cites that “their strength has been in their unique ability to perceive and design a 

repertoire that entertains all parts, whether it’s the audience or the dancer.” Tom and Jean-Philippe have “greatly 

succeeded” in realizing her dreams for the company, she says. “I am thankful that I had the dream and was lucky 

and persistent enough to convince JP and Tom to relocate from New York City. Never did I imagine that one 

day the company would be performing nationally and internationally and never did I imagine that one day they 

would be performing works by internationally famous choreographers. Although I had the dream, I never 

imagined so much. I feel very lucky.”