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Karina Canellakis Conducts the Juilliard Orchestra in Season Opener 

Saturday, September 21, 2019, at 7:30pm in Alice Tully Hall
Program Features Works by Beethoven, Strauss, and Missy Mazzoli

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Karina Canellakis and the Juilliard Orchestra (photo by Hiroyuki Ito)

NEW YORK ––  Juilliard alumna Karina Canellakis, who begins her tenure as chief conductor of the Netherlands Radio Philharmonic Orchestra this fall, returns to her alma mater to conduct the Juilliard Orchestra season opener on Saturday, September 21, 2019, at 7:30pm in Alice Tully Hall. The program opens with Missy Mazzoli’s Sinfonia (for Orbiting Spheres) (2013), followed by Beethoven’s Piano Concerto No. 2 in B-flat Major, Op. 19 (soloist to be announced on Sept. 13), and Strauss’ tone poem Ein Heldenleben (A Hero’s Life), Op. 40.
 
Tickets at $20 ($10 for full-time students with a valid ID) are available at juilliard.edu/calendar. 
 
Grammy nominated Missy Mazzoli is the Mead Composer in Residence at the Chicago Symphony Orchestra, and her music has been performed all over the world. She writes this note: “Sinfonia (for Orbiting Spheres) is music in the shape of a solar system, a collection of rococo loops that twist around each other within a larger orbit. The word ‘sinfonia’ refers to Baroque works for chamber orchestra but also to the old Italian term for a hurdy-gurdy, a medieval stringed instrument with constant, wheezing drones that are cranked out under melodies played on an attached keyboard. It’s a piece that churns and roils, that inches close to the listener only to leap away at breakneck speed, in the process transforming the ensemble turns into a makeshift hurdy-gurdy, flung recklessly into space.” Sinfonia (for Orbiting Spheres) was commissioned by the Los Angeles Philharmonic, which premiered it in 2014.
About Karina Canellakis
Karina Canellakis (MM ’13, conducting studies) begins her tenure as chief conductor of the Netherlands Radio Philharmonic this fall. Also this season, Canellakis becomes the first principal guest conductor in the history of the Berlin Radio Symphony Orchestra (RSB), and will be the orchestra’s Artist in Focus. Internationally acclaimed for her emotionally charged performances, technical command, and interpretive depth, Canellakis has conducted many of the top orchestras in North America, Europe, the U.K., and Australia since winning the Sir Georg Solti Conducting Award in 2016.
 
Highlights of her 2019-20 season include debuts with the Atlanta Symphony, Minnesota Orchestra, Philadelphia Orchestra, San Francisco Symphony, London Symphony Orchestra, Orchestre Philharmonique de Radio France, Munich Philharmonic, NDR Hamburg, and Rotterdam Philharmonic. Re-invitations include the Los Angeles Philharmonic and the symphony orchestras of Toronto, Dallas, Houston, and North Carolina. In Europe, in addition to her concerts with the Netherlands Radio Philharmonic Orchestra and RSB, she returns to the Orchestre de Paris, Stockholm Philharmonic, Gurzenich Orchester, and Zurich Opera to conduct Verdi’s Requiem.
 
On the operatic stage, Canellakis has conducted Die Zauberflöte with the Zurich Opera, Don Giovanni and Le nozze di Figaro with Curtis Opera Theatre, and gave the world premiere of David Lang’s opera The Loser at the Brooklyn Academy of Music. She has also led Peter Maxwell Davies’ opera The Hogboon with the Luxembourg Philharmonic.
 
Karina Canellakis previously served as assistant conductor of the Dallas Symphony Orchestra. She received her bachelor’s degree in violin from the Curtis Institute of Music and her master’s in conducting at Juilliard.
 
About the Juilliard Orchestra
Juilliard’s largest and most visible student performing ensemble, the Juilliard Orchestra, is known for delivering polished and passionate performances of works spanning the repertoire. Comprising more than 350 students in the bachelor’s and master’s degree programs, the orchestra appears throughout the season in concerts on the stages of Juilliard’s Peter Jay Sharp Theater, Alice Tully Hall, David Geffen Hall, and Carnegie Hall.
 
The orchestra is a strong partner to Juilliard’s other divisions, appearing in opera and dance productions as well as presenting an annual concert of world premieres by Juilliard student composers. The Juilliard Orchestra welcomes an impressive roster of world-renowned guest conductors this season including alumna Marin Alsop, Elim Chan, Anne Manson, Nicholas McGegan, Carlos Miguel Prieto, alumnus Jörg Widmann, Mark Wigglesworth, and alumna Keri-Lynn Wilson as well as faculty conductors Jeffrey Milarsky (also an alumnus) and David Robertson.
 
The Juilliard Orchestra has toured across the U.S. and throughout Europe, South America, and Asia, where it was the first Western conservatory ensemble allowed to visit and perform following the opening of the People’s Republic of China in 1987, and also returning two decades later, in 2008.
 
Other ensembles under the Juilliard Orchestra umbrella include the conductorless Juilliard Chamber Orchestra, the Juilliard Wind Orchestra, and the new-music groups AXIOM and New Juilliard Ensemble.
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Program Listing:
Saturday, September 21, 2019, 7:30pm, Alice Tully Hall
Juilliard Orchestra
Karina Canellakis, Conductor
 
Missy MAZZOLI Sinfonia (for Orbiting Spheres) (2013)
BEETHOVEN Piano Concerto No. 2 in B-flat Major, Op. 19 (soloist to be announced)
STRAUSS Ein Heldenleben (A Hero’s Life), Op. 40
 
Tickets at $20 ($10 for full-time students with a valid ID) are available at juilliard.edu/calendar.