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뉴욕타임스의 미술 비평가 로버타 스미스, 홀란드 코터, 제이슨 파라고, 싯다르타 미터가 2020 최고의 아트북을 선정했다. 

Best Art Books of 2020
The art critics of The Times select their favorites from this year’s crop of art books.

#로버타 스미스 Roberta Smith
-‘PETER SAUL: PROFESSIONAL ARTIST CORRESPONDENCE, 1945-1976’ Edited by Dan Nadel (Bad Dimension Press)
-‘MODERN ARTIFACTS’ By Michelle Elligott & Tod Lippy (Esopus Books)
‘ABSTRACT ART: A GLOBAL HISTORY’ By Pepe Karmel (Thames & Hudson)
-‘FÉLIX FÉNÉON: THE ANARCHIST AND THE AVANT-GARDE’ By Starr Figura, Isabelle Cahn, and Philippe Peltier (Museum of Modern Art)
-‘EVA HESSE: OBERLIN DRAWINGS’ Edited by Barry Rosen (Hauser & Wirth)
-‘DURO OLOWU: SEEING’ Edited by Naomi Beckwith (Museum of Contemporary Art, Chicago/DelMonico Books/Prestel)
-‘ROSIE LEE TOMPKINS: A RETROSPECTIVE’ By Elaine Y. Yau, Lawrence Rinder and Horace Ballard (University of California, Berkeley Art Museum and Pacific Film Archive)

#홀란드 코터 Holland Cotter
-‘SAHEL: ART AND EMPIRES ON THE SHORES OF THE SAHARA’ By Alisa LaGamma (Metropolitan Museum of Art)
-‘LATINX ART: ARTISTS, MARKETS, AND POLITICS’ By Arlene Dávila (Duke University Press)
-‘WOMEN, ART, AND SOCIETY’ By Whitney Chadwick (Thames & Hudson).
- ‘GUERRILLA GIRLS: THE ART OF BEHAVING BADLY’ By the Guerrilla Girls (Chronicle Books)
-‘MARKING TIME: ART IN THE AGE OF MASS INCARCERATION’ By Nicole R. Fleetwood (Harvard University Press)
-‘QUEER COMMUNION: RON ATHEY’ Edited by Amelia Jones and Andy Campbell (Intellect).
-‘GRIEF AND GRIEVANCE: ART AND MOURNING IN AMERICA’ Conceived by Okwui Enwezor (Phaidon)
-‘THE DESTRUCTION OF LOWER MANHATTAN,’ by Danny Lyon (Aperture). ‘GODLIS STREETS’ (Reel Art Press)
-‘FROG POND SPLASH: COLLAGES BY RAY JOHNSON WITH TEXTS BY WILLIAM S. WILSON’ Edited by Elizabeth Zuba (Siglio).

#제이슨 파라고 Jason Farago
-‘RAPHAEL 1520-1483’ Edited by Marzia Faietti and Matteo Lafranconi (Skira)
-‘FLUENCE: THE CONTINUANCE OF YOHJI YAMAMOTO’ By Takay (Damiani).
-‘ARTEMISIA’ Edited by Letizia Treves (National Gallery, London/Yale)
-‘THE PEOPLE SHALL GOVERN! MEDU ART ENSEMBLE AND THE ANTI-APARTHEID POSTER’ Edited by Antawan I. Byrd and Felicia Mings (Art Institute of Chicago/Yale)
-‘THE LOUVRE: THE HISTORY, THE COLLECTIONS, THE ARCHITECTURE’ By Genevieve Bresc-Bautier, photographed by Gérard Rondeau (Rizzoli)
-‘VAN EYCK’ Edited by Maximiliaan Martens et al. (Thames & Hudson)
-‘GENEALOGIES OF ART, OR THE HISTORY OF ART AS VISUAL ART’ Edited by Manuel Fontán del Junco, José Lebrero Stals and María Zozaya Álvarez (Fundación Juan March)
-‘CRITICAL ZONES: THE SCIENCE AND POLITICS OF LANDING ON EARTH’ Edited by Bruno Latour and Peter Weibel (MIT/ZKM Center for Art and Media, Karlsruhe)

#시다르타 미터 Siddhartha Mitter
-‘THE BRUTISH MUSEUMS: THE BENIN BRONZES, COLONIAL VIOLENCE AND CULTURAL RESTITUTION’ By Dan Hicks (Pluto Press)
-‘THE TIDE WILL TURN’ By Shahidul Alam; edited by Vijay Prashad (Steidl)
-‘GLITCH FEMINISM: A MANIFESTO’ By Legacy Russell (Verso).
-‘ROAD THROUGH MIDNIGHT: A CIVIL RIGHTS MEMORIAL’ By Jessica Ingram (University of North Carolina Press)
https://www.nytimes.com/2020/11/26/arts/design/best-art-books-2020.html

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