New York, NY (July 22, 2024) – Film at Lincoln Center announces RaMell Ross’s Nickel Boys as Opening Night of the 62nd New York Film Festival at Alice Tully Hall on September 27. The adaptation of Colson Whitehead’s Pulitzer Prize–winning novel stars Ethan Herisse, Brandon Wilson, Hamish Linklater, Fred Hechinger, Daveed Diggs, and Aunjanue Ellis-Taylor. Secure tickets with Festival Passes, limited quantities on sale now. Single tickets for the general public go on sale September 17 at noon ET, with pre-sale access for FLC Members and Pass holders prior to this date.

Rare is the film of a major book that maintains the power and precision of its source material while also generating its own singular aesthetic. Yet RaMell Ross’s extraordinary realization of Colson Whitehead’s Pulitzer Prize–winning 2019 novel, about two Black teenagers who become wards of a barbaric juvenile reformatory in Jim Crow–era Florida, achieves just this. In breakout performances that cut to the bone, Ethan Herisse and Brandon Wilson play Elwood and Turner, whose close friendship helps sustain their hope even as the horrors mount around them at the Nickel Academy, which becomes a microcosm of American racism in the mid-20th century. Adapted by Joslyn Barnes and Ross, whose unforgettable Oscar-nominated documentary Hale County This Morning, This Evening (Closing night of New Directors/New Films, 2018) portrayed an Alabama community in moments of revelatory intimacy, has here fashioned a film of equal daring and intensity, buoyed by expressive, shallow-focus cinematography by Jomo Fray (All Dirt Roads Taste of Salt), pinpoint-precise editing by Nicholas Monsour (Nope), and deeply felt supporting performances from Aunjanue Ellis-Taylor, Hamish Linklater, and Daveed Diggs. Inspired by actual events, this harrowing tale comes to vivid life via an ingenious visual approach that brilliantly adapts the novel’s exercise in subjectivity. Ross’s Nickel Boys sets the beauty of the natural world against the cruel realities of American racism, and confirms its maker’s status as a visionary cinematic artist.

Nickel Boys is directed by RaMell Ross, with a screenplay by Ross and Joslyn Barnes, based on the book The Nickel Boys by Colson Whitehead. Produced by Dede Gardner, Jeremy Kleiner, David Levine, and Barnes. Orion Pictures and Amazon MGM Studios present a Plan B Entertainment / Anonymous Content / Louverture Films production. Orion Pictures/Amazon MGM Studios will release Nickel Boys in theaters on October 25 expanding through the fall.

“What an absolute honor for Nickel Boys to open the 62nd New York Film Festival... a daydream really, for the crew, the cast, and team who’ve committed so wholeheartedly to its vision,” said Ross. “It feels almost full circle, given Hale County This Morning, This Evening’s selection in 2018’s New Directors/New Films program. The New York Film Festival in particular constellates much of what one aspires toward through filmic production. Since just after my undergrad when I was wooed by the still and moving image, it has been an extraordinary compendium for global aesthetics.”

“Nickel Boys signals the emergence of a major filmmaking voice,” said Dennis Lim, Artistic Director, New York Film Festival. “RaMell Ross’s fiction debut, like his previous work in photography and documentary, searches for new ways of seeing and, in so doing, expands the possibilities of visual language. It’s the most audacious American movie I have seen in some time, and we are excited and honored to open the New York Film Festival with it.”

RaMell Ross is an artist, filmmaker, writer, and liberated documentarian. He has been awarded an Aaron Siskind Foundation Individual Photographer’s Fellowship, Howard Foundation Fellowship, a USA Artist Fellowship and was a 2022 Solomon Fellow at Harvard University. His feature experimental documentary Hale County This Morning, This Evening won a Special Jury Award for Creative Vision at the 2018 Sundance Film Festival and 2020 Peabody Award. It was nominated for an Oscar at the 91st Academy Awards and an Emmy for Exceptional Merit in Documentary Film. RaMell holds degrees in Sociology and English from Georgetown University and is an associate professor in Brown University’s Visual Art Department. His work is in various public and private collections such as The Museum for Modern Art, Virginia Museum of Fine Arts, and the High Museum.

The NYFF Main Slate selection committee is chaired by Dennis Lim, NYFF Artistic Director, and includes Florence Almozini, Justin Chang, K. Austin Collins, and Rachel Rosen.

Presented by Film at Lincoln Center, the New York Film Festival is an annual showcase of the best in world cinema. Since 1963, NYFF has shaped film culture and continues an enduring tradition of introducing audiences to bold and remarkable works from celebrated filmmakers as well as fresh new talent. We’re pleased to announce that the 62nd edition of the festival has been extended by a day, and now takes place September 27–October 14, 2024.

Secure your tickets for Opening Night and more with Festival Passes, limited quantities on sale now. NYFF62 single tickets will go on sale to the general public on Tuesday, September 17 at noon ET, with pre-sale access for FLC Members and Pass holders prior to this date. Become an FLC Member by August 13 to secure NYFF62 pre-sale access and discounted tickets year-round. NYFF62 Press and Industry accreditation is now open.

New York Film Festival Opening Night Films

2024 Nickel Boys (RaMell Ross, US)
2023 May December (Todd Haynes, US)
2022 White Noise (Noah Baumbach, US)
2021 The Tragedy of Macbeth (Joel Coen, US)
2020 Lovers Rock (Steve McQueen, UK)
2019 The Irishman (Martin Scorsese, US)
2018 The Favourite (Yorgos Lanthimos, Ireland/UK/US)
2017 Last Flag Flying (Richard Linklater, US)
2016 13TH (Ava DuVernay, US)
2015 The Walk (Robert Zemeckis, US)
2014 Gone Girl (David Fincher, US)
2013 Captain Phillips (Paul Greengrass, US)
2012 Life of Pi (Ang Lee, US)
2011 Carnage (Roman Polanski, France/Poland)
2010 The Social Network (David Fincher, US)
2009 Wild Grass (Alain Resnais, France)
2008 The Class (Laurent Cantet, France)
2007 The Darjeeling Limited (Wes Anderson, US)
2006 The Queen (Stephen Frears, UK)
2005 Good Night, and Good Luck (George Clooney, US)
2004 Look at Me (Agnès Jaoui, France)
2003 Mystic River (Clint Eastwood, US)
2002 About Schmidt (Alexander Payne, US)
2001 Va savoir (Jacques Rivette, France)
2000 Dancer in the Dark (Lars von Trier, Denmark)
1999 All About My Mother (Pedro Almodóvar, Spain)
1998 Celebrity (Woody Allen, US)
1997 The Ice Storm (Ang Lee, US)
1996 Secrets & Lies (Mike Leigh, UK)
1995 Shanghai Triad (Zhang Yimou, China)
1994 Pulp Fiction (Quentin Tarantino, US)
1993 Short Cuts (Robert Altman, US)
1992 Olivier Olivier (Agnieszka Holland, France)
1991 The Double Life of Véronique (Krzysztof Kieślowski, Poland/France)
1990 Miller’s Crossing (Joel Coen, US)
1989 Too Beautiful for You (Bertrand Blier, France)
1988 Women on the Verge of a Nervous Breakdown (Pedro Almodóvar, Spain)
1987 Dark Eyes (Nikita Mikhalkov, Soviet Union)
1986 Down by Law (Jim Jarmusch, US)
1985 Ran (Akira Kurosawa, Japan)
1984 Country (Richard Pearce, US)
1983 The Big Chill (Lawrence Kasdan, US)
1982 Veronika Voss (Rainer Werner Fassbinder, West Germany)
1981 Chariots of Fire (Hugh Hudson, UK)
1980 Melvin and Howard (Jonathan Demme, US)
1979 Luna (Bernardo Bertolucci, Italy/US)
1978 A Wedding (Robert Altman, US)
1977 One Sings, the Other Doesn’t (Agnès Varda, France)
1976 Small Change (François Truffaut, France)
1975 Conversation Piece (Luchino Visconti, Italy)
1974 Don’t Cry with Your Mouth Full (Pascal Thomas, France)
1973 Day for Night (François Truffaut, France)
1972 Chloe in the Afternoon (Eric Rohmer, France)
1971 The Debut (Gleb Panfilov, Soviet Union)
1970 The Wild Child (François Truffaut, France)
1969 Bob & Carol & Ted & Alice (Paul Mazursky, US)
1968 Capricious Summer (Jiri Menzel, Czechoslovakia)
1967 The Battle of Algiers (Gillo Pontecorvo, Italy/Algeria)
1966 Loves of a Blonde (Milos Forman, Czechoslovakia)
1965 Alphaville (Jean-Luc Godard, France)
1964 Hamlet (Grigori Kozintsev, Soviet Union)
1963 The Exterminating Angel (Luis Buñuel, Mexico)

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Film at Lincoln Center (FLC) is a nonprofit organization that celebrates cinema as an essential art form and fosters a vibrant home for film culture to thrive. FLC presents premier film festivals, retrospectives, new releases, and restorations year-round in state-of-the-art theaters at New York’s Lincoln Center for the Performing Arts. FLC offers audiences the opportunity to discover works from established and emerging directors from around the world with a passionate community of film lovers at marquee events including the New York Film Festival and New Directors/New Films.

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