바나드대 제15회 여성영화제 Athena Film Festival(3/6-9) 라인업
2025 ATHENA FILM FESTIVAL AT BARNARD COLLEGE ANNOUNCES
PROGRAMMING SELECTIONS FOR 15TH ANNUAL EVENT
Festival opens March 6 with SATISFIED, an intimate story documenting Renée Elise Goldsberry’s journey
while creating her iconic HAMILTON role, and runs through March 9
Festival will close with HOME COURT, about basketball prodigy Ashley Chea following her pursuit of college-level hoop dreams
NEW YORK (February 6, 2025) – The Athena Film Festival (AFF) at Barnard College today announced the narrative and documentary feature lineup for its 2025 showcase. A partnership between Barnard’s Athena Center for Leadership and the initiative Women and Hollywood, this year’s event marks the 15th anniversary of the festival, which will take place March 6 - March 9, 2025, on the Barnard campus in New York City. Each year, the festival presents narrative and documentary features and short films, in-depth conversations with filmmakers and thought leaders, and a wide variety of events focused on amplifying women’s leadership through storytelling.
AFF will open with the inspirational documentary Satisfied, from directors Melissa Haizlip and Chris Bolan. The film gives viewers an intimate look at Renée Elise Goldsberry’s journey navigating motherhood and originating the role of Angelica Schuyler in the groundbreaking Broadway musical Hamilton. Closing film Home Court, directed by Erica Tanamachi, showcases the grit of first-generation immigrant and basketball prodigy Ashley Chea as she prepares for her college athletic career.
“Our 2025 festival marks 15 years of championing diverse, authentic narratives through a powerful, women-centered lens,” said Melissa Silverstein, artistic director of Athena Film Festival. “The impact of this endeavor is shaped by the creators who bring these stories to life, as well as the audiences who support and amplify their reach.”
“This milestone anniversary is a testament to the enduring power of storytelling and the filmmakers who challenge perceptions of women’s leadership,” said Umbreen Bhatti ’00, Constance Hess Williams ’66 Director of the Athena Center for Leadership at Barnard College. “This year’s programming lineup reflects our mission to magnify compelling, women-led stories that inspire change and spark meaningful dialogue. A heartfelt thank you to the festival’s founding sponsor, the Artemis Rising Foundation and its CEO Regina K. Scully, for her enduring support of our work.”
The festival lineup showcases women’s leadership through diverse, complex, and nuanced women-centered stories from around the world, with narrative features, including Claire Ayoub’s uplifting coming-of-age comedy Empire Waist; Margherita Vicario’s Gloria!, which celebrates the unrecognized female composers of neoclassical-era Venice; the NYC premiere of Rachel Feldman’s 2014 Athena List-winning script Lilly, starring Emmy and Golden Globe winner Patricia Clarkson; Belgian Spanish-language drama Mexico 86 from writer/director César Diaz; Lillah Halla’s Brazilian sports drama Power Alley (Levante); Yasemin Şamdereli’s Samia, which follows an assertive young woman as she fights to become an Olympic athlete; Racheal Cain’s sci-fi thriller Somnium; Zar Amir Ebrahimi and Guy Nattiv’s sports thriller Tatami, the story of an Iranian judoka and her coach facing a dilemma from the Islamic Republic government during the World Judo Championships; Anu Valia’s feature directorial debut, We Strangers, a haunting study of race, class, and assimilation in Gary, Indiana; and Josephine Stewart-Te Whiu’s directorial debut We Were Dangerous, a hopeful story of friendship and rebellion against cruel leadership in 1954 New Zealand.
2025 documentary selections include Shiori Ito’s Academy Award-nominated Black Box Diaries, which follows the filmmaker as she embarks on a courageous investigation of her own sexual assault; Alina Simone’s Black Snow, a look at the remote Siberian city that discovered an old Soviet mine had caught fire beneath their neighborhood and the turmoil it brings to a local homemaker-turned-journalist, Natalia Zubkova; Erica Tanamachi’s Home Court, about basketball prodigy Ashley Chea following her pursuit of college-level hoop dreams and the highs and lows of her Cambodian immigrant family’s experiences in America throughout her high school years; the NYC premiere of Norita, from writers/directors Andrea Tortonese and Jayson McNamara, who take viewers on the gripping journey of Argentina’s tumultuous history through the eyes of a mother seeking justice for her disappeared son during the dark days of the country’s dictatorship; Catherine Gund’s Paint Me a Road Out of Here, the wild tale of Faith Ringgold’s monumental painting “For the Women’s House”; Standing Above the Clouds, Jalena Keane-Lee’s exploration of intergenerational healing and the impacts of safeguarding cultural traditions, all through the lens of mothers and daughters in three Native Hawaiian families; and Elizabeth Sankey’s Witches, an examination of the relationship between cinematic portrayals of witches and postpartum depression, utilizing film history footage and personal testimony.
This year’s documentary lineup also features several inspirational stories of women trailblazers: Aoife Kelleher’s Mrs. Robinson, a captivating portrait of the first female president of Ireland, Mary Robinson; Hannah Berryman’s Spacewoman, a moving look at the life of astronaut Eileen Collins, the first woman to pilot and command a spacecraft; and Soraya Sélène and Billy Miossi’s Who in the Hell Is Regina Jones?, a view into the life of a groundbreaking publisher navigating a world that offered her no favors.
AFF’s 2025 lineup and full descriptions can be found below. For more information, please visit AthenaFilmFestival.com. 2025 Festival Sponsors include the Alfred P. Sloan Foundation, Netflix, Walt Disney Studios, AMC Networks, Secret Sauce Media, Hanky Panky, the Robert Wood Johnson Foundation, the Dobkin Family Foundation, Illumine Service Foundation, Evenstar Films, Christine A. Schantz, the Katie McGrath & JJ Abrams Family Foundation, and Attitude New York. The festival’s accessibility sponsor is the Loreen Arbus Foundation. The Athena Film Festival is made possible by the New York State Council on the Arts with the support of the Office of the Governor and the New York State Legislature.
NARRATIVE FEATURES
Empire Waist
USA
Language: English
Director, Writer: Claire Ayoub
Producers: Andrew Calof, Crystal Collins
Lenore is a teen deeply insecure about her weight. Hiding her passion for fashion design, she tries to make herself invisible in her day-to-day life to avoid being bullied by her classmates and image-conscious mother. Lenore’s father, Mark, is her biggest cheerleader, and her best friend Kayla is confident, funny, outgoing, and proud of her plus-size body. Through their support, along with that of her teacher Ms. Hall, Lenore is encouraged to step outside her comfort zone and embrace her talent.
Gloria!
Italy
Language: Italian
Director, Writer: Margherita Vicario
Writer: Anita Rivaroli
Producers: Carlo Cresto-Dina, Valeria Jamonte, Manuela Melissano
Set in a girls’ institute in Venice at the end of the 1700s, Gloria! tells the story of Teresa, a young woman with a visionary talent who, together with a small group of extraordinary musicians, crosses centuries and challenges the dusty catafalques of the ancien régime by inventing rebellious, light, and modern music.
Lilly
USA
Language: English
Director, Writer, Producer: Rachel Feldman
Writer: Adam Prince
Producers: Allyn Stewart, Kelly E. Ashton, Kerianne Flynn, Jyoti Sarda, Simone Pero, J. Todd Harris, Christine Schwarzman, Julie Kaufman
NYC Premiere
Based on a true story, Lilly chronicles the transformation of an aggrieved Alabama tire factory worker into an American hero.
Mexico 86
France, Belgium
Language: Spanish
Director, Writer: César Díaz
Producers: Anne-Laure Guégan, Delphine Schmit, Géraldine Sprimont
In 1976, death threats force Maria, a Guatemalan rebel activist fighting against the corrupt military dictatorship, to flee to Mexico, leaving her son behind. Ten years later, when he comes to live with her, she is forced to choose between her duties as a mother and continuing her revolutionary activism.
Power Alley [Levante]
Brazil
Language: Portuguese
Director, Writer: Lillah Halla
Writer: María Elena Morán
Producers: Louise Bellicaud, Claire Charles-Gervais, Rafaella Costa, Santiago Lopez, Kathleen McInnis
On the eve of a key championship, 17-year-old volleyball star Sofia faces an unwanted pregnancy, battling a fundamentalist group to reclaim her future.
Samia
Italy, Germany, Belgium
Languages: Arabic, English, Somali
Director, Writer: Yasemin Şamdereli
Writers: Nesrin Şamdereli, Giuseppe Catozzella
Producers: Simone Catania, Dietmar Güntsche, Anja-Karina Richter, Michele Fornasero, Francesca Portalupi, Martin Rohé, Joseph Rouschop, Riccardo Russo, David Herdies, Michael Krotkiewsju, Iman Ismail, Christoph Fisser
Samia defies taboos by racing through the streets of Mogadishu, in a society where a woman is not supposed to run. Her passion will one day take her to the Olympic Games.
Somnium
USA
Language: English
Director, Writer: Racheal Cain
Producers: Maria Allred, Chris Raby, Ali Aksu, Patricia Chica, Mike Hatton, Andrea Saavedra
With hopes of making it big in L.A., small-town transplant Gemma takes the overnight shift at a mysterious sleep clinic, Somnium, but quickly discovers a darkness lurking within.
Tatami
Israel, U.K.
Languages: English, Persian
Director: Zar Amir Ebrahimi
Director, Writer, Producer: Guy Nattiv
Writer: Elham Erfani
Producers: Jaime Ray Newman, Mandy Tagger
In the first feature film to have both an Iranian and an Israeli director, Leila, an Iranian judo athlete, is put in political danger when her government tells her to fake an injury and withdraw from the world championships rather than face an Israeli rival in the final, forcing her to make a life-or-death decision.
We Strangers
USA
Language: English
Director, Writer: Anu Valia
Producers: Joy Jorgensen, Alex Bach, Olivia Wingate, Zach Spicer, Miranda Kahn
Rayelle Martin, a commercial cleaning woman in Gary, Indiana, stumbles into a new job cleaning the homes of several rich, suburban families. While working, she tells one small lie that spins out of control.
We Were Dangerous
New Zealand
Language: English
Director, Writer: Josephine Stewart-Te Whiu
Writer: Maddie Dai
Producers: Polly Fryer, Morgan Waru
In 1954, Māori teenagers Nellie and Daisy are sent to the Te Motu School for Incorrigible and Delinquent Girls after minor offenses. There, they meet Lou, a European teenager from a privileged background. Under the strict supervision of the devout Matron, the institution aims to reform the girls into obedient housewives, suppressing their cultural identities and personal freedoms. The trio’s bond strengthens as the Matron’s authoritarian methods intensify. They devise a plan to escape the island facility, culminating in a daring act of rebellion that challenges the oppressive system.
DOCUMENTARY FEATURES
Black Box Diaries
Japan, USA, U.K.
Languages: English, Japanese
Director, Producer: Shiori Ito
Producers: Hanna Aqvilin, Eric Nyari
Journalist Shiori Ito embarks on a courageous investigation of her own sexual assault in an improbable attempt to prosecute her high-profile offender. Her quest becomes a landmark case in Japan, exposing the country’s outdated judicial and societal systems.
Black Snow
USA
Language: Russian
Director: Alina Simone
Producer: Kirstine Barfod
When the residents of a remote Siberian city discover an old Soviet mine has caught fire beneath their neighborhood, they turn to Natalia Zubkova, a local homemaker-turned-journalist, for help. But after her news videos go viral, she suddenly finds herself the target of a massive government disinformation campaign.
Home Court - Closing Night
USA
Languages: English, Cambodian
Director, Writer, Producer: Erica Tanamachi
Writer: Jean Kawahara
Producers: Jenn Lee Smith, Brandon Soun
Home Court is the story of basketball phenom Ashley Chea in her pursuit of college-level hoop dreams. In the three years the film follows her, we witness the highs and lows of her Cambodian immigrant family’s experiences in America.
Mrs. Robinson
Ireland
Language: English
Director: Aoife Kelleher
Producer: Cormac Hargaden, Trisha Canning
Unfolding a story about female leadership, human rights activism, and climate action, Mrs. Robinson tells the inspirational life story of change-maker Mary Robinson: Ireland’s first female president, a pioneering U.N. High Commissioner for Human Rights, the successor of Nelson Mandela as Chair of The Elders, and the co-founder of Project Dandelion, a women-led climate justice movement.
Norita
Argentina, USA
Languages: Spanish, English
Directors, Writers: Jayson McNamara, Andrea Tortonese
Writer, Producer: Melissa Daniels
Producers: Sarah Schoellkopf, Jayson McNamara, Francisco Villa
NYC Premiere
Norita takes viewers on a gripping journey through Argentina’s tumultuous history, in which a personal tragedy becomes a catalyst for change. As a mother seeking justice for her disappeared son during the dark days of Argentina’s dictatorship, Norita’s unwavering determination and fearless activism led her to co-found the renowned Mothers of the Plaza de Mayo, a pivotal human rights organization. The film chronicles her journey to seek justice for the past while inspiring the next generation of women’s rights activists. Norita has been held up as a symbol by the women’s movement, dating back to the 1980s, and is seen as a fundamental fixture in the movement’s success during Argentina’s 2020 campaign to legalize abortion.
Paint Me a Road Out of Here
USA
Language: English
Director, Producer: Catherine Gund
Producer: Tanya Selvaratnam
In 1971, artist Faith Ringgold created a monumental painting, “For the Women’s House,” for the women incarcerated at Rikers Island jail. Fifty years later, artist Mary Enoch Elizabeth Baxter, who gave birth in prison 15 years ago, finds herself banding together with an eclectic group of activists, politicians, artists, corrections officers, and Faith Ringgold herself to free the artwork with the ultimate goal of freeing the women. Paint Me a Road Out of Here is a wild tale of the painting’s whitewashed journey and the two artists who challenged the same powerful and oppressive institutions, a half century apart, with their artwork, their voices, and their shared, persistent goals.
Satisfied - Opening Night
USA
Language: English
Directors, Producers: Chris Bolan, Melissa Haizlip
Producers: Steven Cantor, Jamie Schutz
Against the backdrop of the hit musical Hamilton, actress Renée Elise Goldsberry balances family and career while originating the role of a lifetime.
Spacewoman
U.K.
Language: English
Director, Writer: Hannah Berryman
Producers: Natasha Dack Ojumu, Keith Haviland
Astronaut Eileen Collins was the first woman to pilot and command a spacecraft. Born to a working-class family in upstate New York, she smashed many glass ceilings in the U.S. Air Force and at NASA during her career, culminating in four increasingly dramatic and dangerous space shuttle missions. With an incredible set of archival materials, intimate interviews, and a moving score by Marcelo Zarvos, Hannah Berryman’s nail-biting film shares the emotional journey experienced by Eileen’s family and asks the philosophical question about what level of risk is acceptable in human endeavor.
Standing Above the Clouds
USA
Language: English
Director, Producer: Jalena Keane-Lee
Producers: Amber Espinosa-Jones, Erin Lau
When the massive Thirty Meter Telescope is proposed to be built on Mauna Kea, an uprising of kiaʻi (protectors) in Hawaiʻi and around the world dedicate their lives to protecting the sacred mountain from destruction. Through the lens of mothers and daughters in three Native Hawaiian families, Standing Above the Clouds explores intergenerational healing and the impacts of safeguarding cultural traditions.
Who in the Hell Is Regina Jones?
USA
Language: English
Directors: Soraya Sélène, Billy Miossi
Writer: Regina Jones
Producers: Alissa Shapiro, Nancy Novack
New York Premiere
The extraordinary life of Regina Jones is not only one shaped by history but also one that made history. From pregnant and married at 15, through the middle of the Watts Rebellion of 1965, to emerging as a groundbreaking newspaper publisher, Regina is a testament to the American experience. That lived experience — as a Black American woman raising a family of five children, stepping in places where she was not wanted, and navigating a world that offered her no favors — is one that is still too often overlooked. Who in the Hell Is Regina Jones? turns a lens on Regina’s remarkable journey: the invisible labor, the turmoil, the struggle, and the joy of a modern-day Black woman.
Witches
U.K.
Language: English
Director, Writer: Elizabeth Sankey
Producers: Manon Ardisson, Chiara Ventura, Jeremy Warmsley
Witches examines the relationship between cinematic portrayals of witches and postpartum depression, utilizing historical film footage alongside personal testimony.
This year’s sponsors include the festival’s founding sponsor, Artemis Rising Foundation and its CEO Regina K. Scully, as well as the Alfred P. Sloan Foundation, Hanky Panky, Netflix, AMC Networks, the Dobkin Family Foundation, Evenstar, Illumine Service Foundation, Michela & Leslie Masson, Christine A. Schantz, Secret Sauce Media, Walt Disney Studios, ANSIRH Abortion Onscreen, Abigail E. Disney, Jess Jacobs, Sheila Nevins, We Testify, Adrienne Shelly Foundation, the Katie McGrath & JJ Abrams Family Foundation, Lifetime, Reavis Page Jump LLP, and Whitewater Films. The Accessibility Sponsor is the Loreen Arbus Foundation, and the Transportation Sponsor is Attitude New York.